At Harper’s Bazaar, Jason Diamond revisits the literary brat pack in the harsh morning light of thirty years later, examining their histories (real and really sensationalized) in hope of moving…
Abigail Ulman talks about her debut collection Hot Little Hands, the limitations of the cultural narrative, her paralyzing pre-publication fears, and why she loves adolescent narrators.
Over at the Guardian, Scottish author Irvine Welsh makes a case for Bret Easton Ellis’s often reviled, always controversial American Psycho as a modern classic. Welsh—the author of his own…
Alex Dimitrov and Kate Durbin interview each other about place and poetics and poetry in performance, as well as poetry in LA and New York, and using culture as a prop.
In late August the Melbourne Writers Festival cranked up again, celebrating its 25th anniversary. There were ten days of scheduled programming, most events jostled tight into two weekends. The official…
This week in New York Bret Easton Ellis and Shane Jones read, Light Industry screens “arty porn,” the musical Bloody Bloody Andrew Jackson is in its final run at the…
Carolyn Kellogg, lead writer for the LA Times blog Jacket Copy, describes her experience interviewing Bret Easton Ellis and the strange routine he went through with nearly every reporter he…