She said something to me, then, that has been a great comfort. “You had a choice,” she said, “but you did not have free will.” A choice that was no choice at all.
Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories.
It took me nearly twenty years and the power of a fine film to fully realize what happened to me in the confessional was an inappropriate act by an adult against a child.
William Giraldi talks about writing in spite of Catholicism: The Catholic O’Connor, in other words, has no Catholic agenda when she sits at the campfire to tell her story—across her singular canon…