VISIBLE: Women Writers of Color: Yona Harvey
Yona Harvey talks about her path to becoming a poet, Winnie Mandela as an artistic inspiration, and what it means to write more publicly.
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Cave Canem
23 posts
Notable NYC: 12/10–12/16
Saturday 12/10: Mike Albo, Sandra Bauleo, Alexander Chee, Marcy Dermansky, Natalie Diaz, Elif Batuman, Angela Flournoy, Jill Hennessy, Alice Sola Kim, Téa Obreht, Rosie Schaap, Elissa Schappell, Parul Sehgal, Jamil…
Beware of Dog
At the Poetry Foundation, Sara Ivry interviews a host of poets on the occasion of Cave Canem’s twentieth anniversary. Robin Coste Lewis points to the brilliance of founders Toi Derricotte and…
The Saturday Rumpus Interview: Vivian Lee
As an editor of color, one advantage I have is that writers of color are comfortable knowing I’m not asking for edits to artificially enhance or to cover up their race. It’s not weird to me that their characters look like them.
The Conversation: Desiree Bailey and Sean DesVignes
For me, intersectionality is a reality that I can’t escape.
VISIBLE: Women Writers of Color: Desiree Cooper
Desiree Cooper discusses her debut collection of flash fiction, Know the Mother, what mother-writers need, and why motherhood is the only story she’s ever told.
The Rumpus Poetry Book Club Chat with Phillip B. Williams
The Rumpus Poetry Book Club chats with Phillip B. Williams about his new book Thief in the Interior, form in poetry, and balancing editing work with one's own.
What Eyes Does Your Poem Have?
And this is how poetry derives its power, its agency, by the ways it can direct the eye. But the poet has a different toolkit from a visual artist. The world of a poem builds incrementally: it grows, it accretes.
An Open Letter to Aimee Nezhukumatathil
Dear Aimee, So the latest thing (why is there always a latest thing) is that a white man used a Chinese name to submit poems that were then chosen for Prairie Schooner and then…
Autogeography by Reginald Harris
Sean Singer reviews Reginald Harris's Autogeography today in Rumpus Poetry.