Every Separation Is a Link: A Conversation with Yanara Friedland
Yanara Friedland discusses her book-length essay GROUNDSWELL.
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Join NOW!Yanara Friedland discusses her book-length essay GROUNDSWELL.
...moreWho said great literature has to make the reader feel good?
...moreJenny Hval discusses her new novel, GIRLS AGAINST GOD.
...moreCourtney Maum shares a reading list to celebrate BEFORE AND AFTER THE BOOK DEAL.
...moreLiterary events in and around L.A. this week!
...more“Ty is, you know, tied in a knot. On a very old shoe.”
...moreDo I have a public self that is separate from my private self? I’m not so certain about that.
...moreA selection of AWP 2019 panels, readings, and events that we are especially excited for!
...moreChris Kraus discusses her latest book, After Kathy Acker: A Literary Biography, writing about art under patriarchy, politics, and “the truth.”
...moreLiterary events and readings in and around L.A. this week!
...moreLiterary events and readings in and around L.A. this week!
...moreLiterary events and readings in and around L.A. this week!
...moreLiterary events and readings in and around New York City this week!
...moreI didn’t want to criticize her, or demand explanations from her. I just wanted to hear her speak.
...moreMemoirists are not transcriptionists of their pasts, recalling conversations verbatim. They are artists, whose job is to interpret the lived history through an artistic lens.
...moreIt’s difficult, if not impossible, to convey the arc of a series of letters in a TV show. Words flash on the screen at regular intervals in bright Helvetica.
...moreFor Bitch Media, Rumpus Funny Women Editor Elissa Bassist interviews writer-actress Roberta Colindrez on her recent roles in Amazon’s adaptation of Chris Kraus’s I Love Dick and the Broadway adaptation of Alison Bechdel’s Fun Home, two powerful narratives centered on women. Colindrez believes in the power of stories: Theatre is—and I’m quoting someone very loosely—the […]
...moreChris Kraus’s experimental, cult classic I Love Dick has been adapted for TV by Jill Soloway, and it’s time to revisit and scrutinize Kraus’s use of the slur “kike,” and indeed Kraus’s sense of her own Jewishness. In the Los Angeles Review of Books, Rebecca Sonkin places Kraus in the Jewish literary tradition of her […]
...moreEmma Sanders and Alina Pleskova charm us with their affection for each other, DIY ethos, and belief on Poetry Jawns, what matters is the work.
...morePoet and writer Brian Blanchfield talks about his essay collection Proxies, touring in support of a prose collection versus a poetry collection, and frottage.
...moreChalk it up to a week where Twitter just felt like too much. Chalk it up to good ol’ nostalgia for the feel of a hefty book in your hands. Or maybe, just chalk it up to an aligning of stars that placed nine exceptional writers under the same roof. If you happen to have […]
...moreJacob Wren discusses his newest novel, Polyamorous Love Song, the relationship between art and ethics, and whether Kanye West is a force for good in the art and music world.
...moreIn today’s New York Times Book Review, there’s a great essay by Cheryl Strayed responding to the prompt “Is This a Golden Age for Woman Essayists?” She rightly tears the question to shreds. And yet, I’ll admit it. I tend to gravitate towards writers who are women, both in terms of what I read and […]
...moreWriter Porochista Khakpour discusses her new novel, The Last Illusion, her desire to literalize the surreal, the role addiction plays for her characters and narrative, and being a lover of outsider stories.
...more[I]f ever there was a book that should be judged by its cover, it’s this one.
...moreIt’s appropriate to read Chris Kraus’s Summer of Hate in the middle of the winter. The novel is perfect for January and February, being very fast moving and set in warm places. And we, bombarded as we are this time of year by speeches on the state of our states and our union, are well […]
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