Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.
First, we must recognize our removal from the machinations of the shadows. The screen stands between us and the internal world depicted on it. There is no communion.
That perfect movie moment is really the sum of countless cinematic cues coming together to make us think and feel. Tony Zhou’s video series “Every Frame a Painting” examines how…
Here is the world according to Johnny, the bilious antihero of Mike Leigh’s 1993 film Naked. Johnny is a restless drifter on an odyssey through London’s nocturnal underbelly, his feverish ranting a…