Exceptional Pain and Power: Lima :: Limón by Natalie Scenters-Zapico
See how visceral? Before I opened this book, I felt I was already inside it.
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Join NOW!See how visceral? Before I opened this book, I felt I was already inside it.
...moreNatalie Scenters-Zapico discusses her new collection, LIMA :: LIMÓN.
...moreThe poems in Killing Marías sustain a deep reverence for women and are a call to action for the world.
...moreFrancisco Goldman talks about the Narvarte Murders, Ayotzinapa, and the stories he feels most responsible for telling now.
...moreI’m from South Texas. I’ve taken Chicano literature courses. I’ve helped organize symposiums featuring Mexican and Mexican-American authors. But I had never heard of Amado Muro.
...moreAt the New Yorker, Francisco Goldman tackles the malaise shadowing his favorite city in the world: Mexico City feels different these days. Its usual vibrancy has been muted, and not only because of the missing students of Ayotzinapa. Paéz tells me that when he walked the city streets on the night of September 16th, which is Mexican […]
...moreI have so many questions for Cruz. Does she know the whole story about this painting? Did she attend catechism and Mass at Tía Zenaida’s house? Does she know why we took the painting from Las Nieves?
...moreEven before there was a war in Ciudad Juárez, I remember that Juárez had the feel of a war zone. It wasn’t until I visited Detroit for the first time that I rediscovered this feeling all over again.
...moreAuthor Charles Bowden discusses Ciudad Juarez, the former cartel hit man known as El Sicario, and the killer latent in all of us.
...morePrior to launching The Rumpus, during our test phase, we ran this incredible, thorough, and thoughtful review of Roberto Bolano’s 2666 by Michael Berger. Today seemed like a good day to bring it back. – SE
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