Terry McDonell talks about his new memoir The Accidental Life and his career in the magazine business, which spans the beginning of New Journalism through the digital revolution.
Leah Kaminsky’s debut novel, The Waiting Room, depicts one fateful day in the life of an Australian doctor and mother, Dina, living in Haifa, Israel. Dina is trying to maintain…
Apparently, Jonathan Safran Foer wasn’t the only one exchanging emails with Natalie Portman. At The Millions, Jacob Lambert shares excerpts from the supposed epistolary relationship between the actress and no less…
At the LA Times, Claire Vaye Watkins recounts her realization that she has been writing to appeal to the white male literary establishment: I am trying to write something urgent,…
The rapture may have been a bust, but our obsession with the apocalypse shows no signs of letting up. NPR’s Jason Heller explains why post-apocalyptic fiction will stand the test…
A good story resides in a world all its own, and I wanted to have the reader understand quickly what this world was like, a world where some people like…
Here’s why I think that Philip Roth and Cormac McCarthy are opposites: Roth is a builder, and McCarthy is a destroyer. Over at the Ploughshares blog, Lily Meyerin tells us why…
In Episode 6 of The Rumpus Late Nite Poetry Show, Dave Roderick chats with poet Oliver de la Paz about his new collection, Post Subject: A Fable, video games, and his weirdest writing habit.
For Electric Literature, noting that character shrugs and smiles are usually crutches in fiction, Matt Bell analyzes Cormac McCarthy’s use of smiles in Outer Dark, providing “a good reminder that…