If great art is supposed to be surprising, do great writers have to change? At The Millions, Drew Nellins Smith wonders whether there can be too much of a good thing:…
Pulitzer Prize–winning author Adam Johnson talks about his new book, Fortune Smiles, fiction and voice, veterans and defectors, solar-powered robots and self-driving cars, and infrared baseball caps that can blind security cameras.
You’ve got a good thing going. How do you know when to stop? Over at Electric Literature, Elisa Gabbert advises: Calling a manuscript done is a decision you need to make.
Author Brian Shawver talks about his new book, Danger on the Page, his novel Aftermath, MFA programs, and why it’s a good thing that writing never stops being hard work.
Tony Hoagland discusses his latest collection, Application for Release from the Dream, the value of poetry, why he doesn't fear becoming overconfident, and the definition of American spirituality.
Writers sometimes forget the importance of reading. Just about everyone who writes started out as a voracious reader, but working on the craft of writing ends up displacing time previously…
“Craft” is a fluid term; used in aeronautics and astronautics to speak of a single vessel, or the skill of deception, or a verb analogous to “make.” Craft in literature…
Paragraphs just might be the most underrated writing tool. Over at Smart Set, Elisa Gabbert points out how the use of paragraphs makes a difference in writing literature.