creative nonfiction
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Every Editors Nightmare
“The publisher functions more like an executive producer on a movie,” says the nonfiction author Susan Orlean. A New Yorker writer steeped in its culture of obsessive fact-checking, Orlean has had the converse publishing experience to Shane’s. “I remember being…
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Fabricating Truth
For The Millions, Catherine K. Buni revisits the work of Joseph Mitchell to explore “hybrid genres” that meld elements of journalism with other forms. In addition, the essay considers the benefits of “fabricating” the truth in creative nonfiction in order to…
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Vivian Gornick Does Not Like Your MFA
Jessica Gross interviewed Vivian Gornick for Longreads and they talked money, death, sex, MFAs, and other things that bore Gornick: It’s meaningless to me. I found, as the years went on, I was very lucky not to have a bourgeois bone in…
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The Big Idea: Eula Biss
On Immunity author Eula Biss speaks to Suzanne Koven about mythology, personal freedom, and the history of vaccines.
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The Rumpus Book Club Chat with Leslie Jamison
The Rumpus Book Club chats with Leslie Jamison about The Empathy Exams, vulnerability, creating hybrid nonfiction, and the benefits of working with an indie press like Graywolf.
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The Rumpus Book Club Discussion with Poe Ballantine
The Rumpus Book Club chats with Poe Ballantine about Love and Terror on the Howling Plains of Nowhere, his nonfiction book about the unsolved murder of his neighbor that is as much a memoir about his family and their small…
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The Art of Motherfuckertude
We all have these feelings inside us—anxiety, fear, trepidation, hope, desire—and our every effort becomes getting these things out. Writing that letter to you and publishing it was how I felt connected and compassionate. Two and a half years ago,…