How to Become a Poet: A Conversation with Ashley M. Jones
“You don’t have to drink yourself into the Great American Poetry Masterpiece.”
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Posts Tagged: creative nonfiction
(K)ink: Writing While Deviant: D. Gilson
Place is context in part, but it is not context in summation.
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The Rumpus Book Club Chat with Terese Mailhot
Terese Mailhot discusses her debut memoir, Heart Berries, writing candidly about one’s personal life, and the good that can come from anger.
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How We Cycle through Our Lives: Talking with Chelsey Clammer
Chelsey Clammer discusses her new essay collection, Circadian, her writing process, and the body as text.
...moreAnnouncing Creative Nonfiction and Fiction Reading Periods
Learn about our new creative nonfiction reading periods.
...moreCongratulations to the 2017 Whiting Creative Nonfiction Grant Recipients!
The Whiting Foundation’s Creative Nonfiction Grant is in its second year and seeks to acknowledge the creation of exemplary works of nonfiction.
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A Poethead’s Guide to the Galaxy: Talking with David Hernandez
David Hernandez discusses his most recent poetry collection, Dear, Sincerely, working across multiple genres, and why the act of making anything is a kind of optimism.
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There Is No Answer: Draw Your Weapons by Sarah Sentilles
As Sentilles makes clear, she is against the wars the United States is currently involved in, and war in general, but she’s critical of what that means.
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The Sunday Rumpus Interview: Amy Benson
Our American obsession with the personal and individual has made us the tremendous resource consumers we are in the world.
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The Saturday Rumpus Essay: We Aren’t Killers; They Are
One story mirrors our identity—any of us could be falsely accused! The other tale is about the Other—because it’s unfathomable that one of us would commit murder. We aren’t killers; they are.
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(K)ink: Writing While Deviant: Jennifer Elliot
Trauma steals meaning and expression. BDSM and writing create them.
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The Rumpus Interview with Robert Glancy
Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
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The Rumpus Interview with Lucy Jane Bledsoe
Lucy Jane Bledsoe discusses her latest book, A Thin Bright Line, uncovering the remarkable story of her aunt, and illuminating history through the lens of imagination.
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FUNNY WOMEN #148: The Hindenburg Review Writers’ Workshop
Welcome to the Hindenburg Review Writers’ Workshop!
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The Sunday Rumpus Interview: Jericho Parms
What is lost still has substance, is malleable, can take on new impressions, and be molded again to our experience, often resulting in the most lasting force that determines how we see the world.
...morePorn is Complicated
There’s been a lot of thoughtful criticism on porn, written by women, recently—notably, Katrina Forrester in the New Yorker and Natasha Lennard in The Nation. For Granta, Andrea Stuart choses a unique angle in her own piece on porn, writing a genre-bending essay that can best be described as a reported piece of first-person criticism. After positioning herself in the feminist […]
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The Rumpus Interview with Arielle Greenberg
Arielle Greenberg talks about her new collection, Locally Made Panties, the possibility of feminist pornography, and curating her Rumpus column, (K)ink: Writing While Deviant.
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The Saturday Rumpus Interview: Leslie Pietrzyk
Think about the stories you have inside that scare you. That’s what you should be writing.
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(K)ink: Writing While Deviant: Jera Brown
I wanted to uncover the nest of wires comprising my gender identity and describe its complicated mass.
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The Rumpus Interview with Chanan Tigay
Author Chanan Tigay discusses the complicated man at the heart of The Lost Book of Moses, the anxieties of writing true stories, how much to withhold from your reader—and tells a few jokes about creative nonfiction.
...moreThe Great American Sermon
After all, the essay, in its American incarnation, is a direct outgrowth of the sermon: argumentative, insistent, not infrequently irritating. Minimalist prose. Maximalist ideas. A long tradition of anti-intellectualism. Adverbs. At the New Yorker, Vinson Cunningham asks what makes an essay American?
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The Saturday Rumpus Essay: A House, a Girl
The day you follow me to that mound of oyster shells on the beach is the day I realize muscle and bone have been at war for a long, long time.
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The Rumpus Interview with Mira Ptacin
Author Mira Ptacin discusses her memoir Poor Your Soul, what inspires her to write, motherhood, and why she considers her beat “the uterus and the American Dream.”
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The Rumpus Interview with Debra Monroe
Debra Monroe talks about her new memoir, My Unsentimental Education, the future of the genre, and how the Internet has changed what it means to be human.
...moreMeans to an End
It’s a process that catalyzes us into seeing in a new way, to grasping what may intuitively lie beyond language itself. The Kenyon Review editor David H. Lynn asks: what makes an essay literary?
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The Sunday Rumpus Interview: Sarah Einstein
Mot was living my own fear… I wanted to learn from him how I might survive, if I too ended up without a home, without the resources to live what I thought of as a minimally decent life.
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The Saturday Rumpus Interview: Karrie Higgins
The more narratives that approach reality “differently” get treated as “insane” or “unreal,” the less readers are exposed to them, and the more “unreal” or “insane” they seem. It’s like a feedback loop.
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The Rumpus Interview with Margo Jefferson
Pulitzer Prize-winning critic Margo Jefferson talks about her new memoir, Negroland, and about growing up in an elite black community in the segregated Chicago of the 1950s and 1960s.
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The Sunday Rumpus Interview: Dinty W. Moore
We live our lives and then relive them on the page in a relentless search for some nugget of discovery, some further comprehension of what it all means.
...moreMaking the Cut
In writing, what is not said can be just as important as what is. Over at the New Yorker, John McPhee discusses the art of choosing what to include and what to omit from a piece: Writing is selection. Just to start a piece of writing you have to choose one word and only one from […]
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