Some books take such a mammoth effort to produce that it’s hard to want to be critical of them. Rolling Blackouts is one of those books. The nearly 300 pages of delicately…
To memorialize a tragedy, one must inscribe unmistakable significance into reticent materials, attempting to curb the natural processes of forgetting and obsolescence. For The Nation, Becca Rothfeld writes about W.G. Sebald,…
For the second time that day, then, I waited in the dark for something not quite human—and all too human—to begin. If you haven’t seen Charlie Kaufman’s new film Anomalisa,…
The critic giveth and he taketh away. In his review of Better Living Through Criticism, Jonathon Sturgeon counters A.O. Scott’s aversion to the idea of the critic as parasite: Maybe…
Garth Greenwell discusses his debut novel, What Belongs to You, crossing boundaries, language as defense, and the queer tradition of novel writing that blurs boundaries between fiction and essay and autobiography.
Art shouldn’t be mere normalizing sublimation or queer desublimation, which amounts to the same thing. Should actually make your problems worse. Only then can the fantasy of endless role-playing and…
Lisa Ruddick, at The Point, gives a state of the union address on critical theory, arguing that current trends are leading us down a dangerous, anti-empathetic, anti-individualistic road towards “cool criticism”:…
Pulitzer Prize-winning critic Margo Jefferson talks about her new memoir, Negroland, and about growing up in an elite black community in the segregated Chicago of the 1950s and 1960s.
Irony abounds in a story from The Chronicle of Higher Education about Jonathan Gottschall, the pioneering figure of Literary Darwinism, who has taken to MMA fighting since his career as an…
New Jersey is about to get Poststructural, thanks to Princeton’s recent acquisition of Jacques Derrida’s library. The collection contains nearly 14,000 books, many of which bear marginalia from the celebrated…