Over at Hazlitt, Alana Massey walks us through the anxiety that so often accompanies reading great thinkers, laying bare her own insecurities at the altar of famed writer and critic,…
Perhaps it is because there are so few proven paths to success, and so little success to go around, that when an acclaimed novelist actually succeeds on a large scale,…
Call it “Goldfinching,” after Vanity Fair’s 2014 yes-but-is-it-art interrogation as to whether Donna Tartt’s Pulitzer prize-winning, mega-bestselling book The Goldfinch is or is not literature. It’s the process by which…
Critics don’t seem to like Donna Tartt’s The Goldfinch, but that hasn’t stopped readers from buying more than a million copies of the novel. Vanity Fair poses the question: but…
In an essay written for Pacific Standard, psychologist Adam Waytz meditates on the dramatic influence the Internet has had on the role of cultural criticism. Arguing that the Internet (with…
Editors, publishers and critics have their own industry-specific lexicon. People in the industry are used to hearing words like “acclaimed” or saying that a book “brilliantly defies categorization,” but apparently…
Over the weekend, I finally got around to unboxing and shelving my archived litmags in the new apartment. As I placed my issues of the Believer back into magazine files in…