A Girl-Body Filled with Animals
There was nothing in the world I had ever needed to do quite like dance.
...moreBecome a Rumpus Member
Join NOW!There was nothing in the world I had ever needed to do quite like dance.
...moreAn exclusive look at the cover of Shruti Swamy’s forthcoming debut novel, THE ARCHER.
...more“In my own experience, anxiety entails dwelling on the past.”
...moreFor me, performance is a conversation with the sacred and timeless, the sublime.
...moreI had to admit that for a businessman, he was flexible.
...moreThere’s no eye contact, no touch, no damp embraces.
...moreIt’s the atmosphere. The temperature. What lies between thee and me.
...moreThere is an irony that sometimes rings Mona like a bell.
...more“This is a love revolution we are building!”
...moreA Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
...moreAcceptance is a fluid dance
...moreWhen she called out for floor performance I knew this would not be my day.
...moreAmy Fusselman discusses her new book, IDIOPHONE!
...moreMeghan Flaherty discusses her debut memoir, Tango Lessons, how the book found its current format, and writing a memoir at a young age.
...more“The floorboards held strong as more and more folks threw themselves into the joy of foot-slamming.”
...moreBieber is like a prism that reflects back whatever you want to see.
...moreI tell myself that all I need is practice and maybe much better shorts. I wonder: when did I become such a beautiful liar? Walk, walk, walk, and fly.
...moreThe Lost Boys had their moment in the media, but these people, these survivors, not boys at all and not lost now either, are still here, living lives, growing and changing and thinking and reflecting.
...moreIt is true that I’m talking to a photo, but I’m not crazy. Neither am I a durochka. Fools are oblivious, at least those from my childhood fairy tales. I, on the other hand, am perfectly aware of the problem.
...moreAt the Guardian, Zadie Smith writes about why dance is important for her and for her writing: The connection between writing and dancing has been much on my mind recently: it’s a channel I want to keep open. It feels a little neglected—compared to, say, the relationship between music and prose—maybe because there is something counter-intuitive about it. […]
...moreYour Storming Bohemian is emphatically a child of the early 70s. At fifteen, I lived in a hippie commune under the guidance of an eccentric psychologist, later diagnosed as bipolar. All I knew is, he was hella fun. Dr. Bill wasn’t the sort to make a fuss about school attendance, regular hours, pot smoking, or […]
...moreSome people write about dystopian futures, or reimagined folktales, or ghosts, or science fiction. Sequoia Nagamatsu, author of the upcoming story collection Where We Go When All We Were Is Gone, does it all. The debut collection, out this month from Black Lawrence Press, weaves Japanese folklore and pop culture into fantastical plots and futuristic […]
...moreBefore this semester in Italy, I had enjoyed writing for school, but now for the first time I was driven to write for myself. I began to need to write like I had needed to dance. Was I replacing one language with another, one way of communicating with another? Over at Catapult, Sari Wilson recalls […]
...moreAlicia Swiz reviews Gotta Go Gotta Flow by Patricia Smith and Michael Abramson.
...moreThis is probably one of those interviews where I should keep my mouth shut but you’re my son.
...moreIt just felt so comfortable to slide back into singing, “She Loves You,” and know for that moment, everything was the same.
...moreIn Episode 9 of The Rumpus Late Nite Poetry Show, Dave Roderick talks with poet Ross Gay chats about his new collection, Catalog of Unabashed Gratitude, gardening, and “the discipline of joy.”
...more