Swinging Modern Sounds #92: Perfection
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...more[T]his book is Gerald’s attempt to construct his own narrative as best as he can, and it’s successful.
...moreI have to work to get the sounds, but then the magic kicks in.
...moreIn the pocket. It’s the only way to describe the slithery pulse of the bass and rhythm section in D’Angelo’s slow ballad “One Mo’ Gin,” off his explosive soul album from 2000, Voodoo. D’Angelo—otherwise known as the mild-mannered Michael Eugene Archer—keens with loneliness and nostalgia on “One Mo’ Gin,” layering his buttery falsetto over the […]
...moreI don’t think it ever fully sunk in for me that I even live in America.
...moreWe’ve spoken before of D’Angelo’s ever-evolving live shows, and his recent performance at the Sydney Opera House was no different: this time definitely leaning toward the funk in his rendition of Roberta Flack’s “Feel Like Making Love.” Watch a clip of the song after the jump, then read about the performance and check out a photo slideshow of the full […]
...moreIn light of all that D’Angelo has done and is doing for music and activism, okayplayer. featured a chronicle of Brown Sugar over the years, following the evolution in D’Angelo’s live performance of its material from debut through its soultronic resurrection and the current Second Coming tour. The album first debuted on July 3rd, 1995, […]
...moreThe artist invited a New York Times reporter to come along as he met one of his heroes: activist and former Black Panther Bobby Seale. Seale and D’Angelo talked extending the Black Lives Matter movement beyond the immediate moment, not letting the examination of violence within law enforcement only amount to a hashtag. In the […]
...moreBlack Messiah is an apt title for the long-awaited follow-up to contemporary soul master D’Angelo’s 2000 record, Voodoo. Fourteen years allows for plenty of anticipation. At times, the news from industry insiders made it seem like Black Messiah would never be released at all. Music lovers from around the world said ‘Hallelujah’ when it finally […]
...moreIn the wake of D’Angelo’s Black Messiah, Dan Piepenbring waxes poetic on R&B groups, the state of the genre, and how, when it comes down to it, the swinging feel of a swinging chorus is all but irreplaceable: Not that you have to be a music scholar to enjoy the sound of people singing together. […]
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