David Lynch
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It’s Real Dangerous
…the verbiage comes to seem obsessive: a compulsion to name, label, and caption which, in heightening the absurdity of words, strips them of their power. In an excerpt from his new book published in the New Yorker, Dennis Lim analyzes what…
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The Rumpus Interview with Yumi Sakugawa
Yumi Sakugawa discusses her latest book, Ikebana, discovering meditation, exploring blank spaces, and drawing a world of sentient oranges and one-eyed monsters.
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Working Draft of Another Life
We open in a wide framing shot of autumn-tinged trees lining a schoolyard. A procession of first-graders walk-run-skip down the sidewalk circling the school.
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The Soundtrack That Made Twin Peaks
“If an idea carries with it a mood, sound is critical to making that mood.”
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The Rumpus Interview with Francesca Lia Block
Francesca Lia Block discusses her passion for writing twenty-five years after her iconic debut, Weetzie Bat, her propensity for hypergraphia, and the value of a supportive editor.
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The Twin Peaks Project
As reported by Lincoln Michel at Electric Literature, Shya Scanlon has launched The Twin Peaks Project, which invites authors to write about the influence of David Lynch’s television show. The project’s first post, written by Scanlon, is live on The Believer Logger.
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The Blue Velvet Project Goes to Argentina
Rumpus columnist Nicholas Rombes’s The Blue Velvet Project analyzes in marvelous depth 152 still frames from David Lynch’s classic arthouse film. The series, which originally appeared at Filmmaker magazine’s site, has been translated into Spanish as a book for Argentina’s…
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David Lynch Interview
Salon converses with David Lynch about his new album Crazy Clown Time. The director discusses transcendental meditation, his attraction to sound, and finding humor in the disturbing. “When you get something that’s thrilling, if it’s working on a couple of…
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Nicholas Rombes’ Art Film Roundup
A few years ago, when I was finishing up the final edits on Cinema in the Digital Age, a colleague and I got into a heated debate about a section of the book where I argued that some of the…
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Write to Get Paid
“I really believe that most writers in America have taken on this idea that we’re never going to get paid–and so we accept so little for what we do, when what we do is so valuable. And it’s wanted.” —Ali…

