The Rumpus Mini-Interview Project: Sheila Squillante
“I felt like I wanted to do it and not explain it.”
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Join NOW!“I felt like I wanted to do it and not explain it.”
...moreZappa, on the other hand, was never sentimental.
...moreKatharine Coldiron discusses her forthcoming novella, CEREMONIALS.
...moreIt really was art imitating life imitating art imitating life.
...moreLiterary events in and around L.A. this week!
...moreDanielle Trussoni discusses her new memoir, The Fortress, black magic, the cult of marriage, and the dark side of storytelling.
...moreIn celebration of the prequel film’s 25th anniversary, Death Waltz is re-releasing the soundtrack to Fire Walk With Me. The score is much lesser known, and hard to come by, than the soundtrack to the Twin Peaks series that Death Waltz re-released last year. Like the more famous recording, Fire Walk With Me’s soundtrack was composed by Angelo Badalamenti in close collaboration with David […]
...moreAs a prelude to the upcoming third season, the utterly perfect soundtrack to the original Twin Peaks has been remastered and is now out on vinyl from Death Waltz Recordings. The reissue features liner notes by Angelo Badalamenti, the composer who helped create David Lynch’s iconic eerie smiling moodscape. Read an ode to the wonderful crazy thing that is the Lynch-Badalamenti […]
...moreDavid Lynch is often cited for his influence on artists of all media—a fact which may come down to the director’s incredible ability to generate an atmosphere, a full immersive sense of being in a place or mindset. Beyond the Beyond: Music from the Films of David Lynch attempts to articulate what makes Lynch’s work particularly attractive […]
...moreEmma Sanders and Alina Pleskova charm us with their affection for each other, DIY ethos, and belief on Poetry Jawns, what matters is the work.
...moreTo hell with alien attacks; cinematically speaking, Hollywood’s destroying itself just fine.
...moreKeith Lee Morris discusses his latest book Traveler’s Rest, Lewis and Clark, and how writing a novel about dreams requires much more than sleep.
...moreWhen in need of comfort, it’s always worth trying close reading.
...more…the verbiage comes to seem obsessive: a compulsion to name, label, and caption which, in heightening the absurdity of words, strips them of their power. In an excerpt from his new book published in the New Yorker, Dennis Lim analyzes what (and why) David Lynch leaves unsaid.
...moreLincoln Michel talks about his debut short story collection, Upright Beasts, his interest in monsters, and what sources of culture outside of literature inspire him.
...moreYumi Sakugawa discusses her latest book, Ikebana, discovering meditation, exploring blank spaces, and drawing a world of sentient oranges and one-eyed monsters.
...moreWe open in a wide framing shot of autumn-tinged trees lining a schoolyard. A procession of first-graders walk-run-skip down the sidewalk circling the school.
...more“If an idea carries with it a mood, sound is critical to making that mood.”
...moreFrancesca Lia Block discusses her passion for writing twenty-five years after her iconic debut, Weetzie Bat, her propensity for hypergraphia, and the value of a supportive editor.
...moreAs reported by Lincoln Michel at Electric Literature, Shya Scanlon has launched The Twin Peaks Project, which invites authors to write about the influence of David Lynch’s television show. The project’s first post, written by Scanlon, is live on The Believer Logger.
...moreRumpus columnist Nicholas Rombes’s The Blue Velvet Project analyzes in marvelous depth 152 still frames from David Lynch’s classic arthouse film. The series, which originally appeared at Filmmaker magazine’s site, has been translated into Spanish as a book for Argentina’s Mar del Plata film festival. It’s called El Proyecto Terciopelo Azul, and Rombes will be […]
...moreSalon converses with David Lynch about his new album Crazy Clown Time. The director discusses transcendental meditation, his attraction to sound, and finding humor in the disturbing. “When you get something that’s thrilling, if it’s working on a couple of different levels, it’s more thrilling. How you get there is not an intellectual thing. You […]
...moreA few years ago, when I was finishing up the final edits on Cinema in the Digital Age, a colleague and I got into a heated debate about a section of the book where I argued that some of the images and sequences in The Ring (Gore Verbinksi, 2002) were as visually radical and avant-garde […]
...more“I really believe that most writers in America have taken on this idea that we’re never going to get paid–and so we accept so little for what we do, when what we do is so valuable. And it’s wanted.” —Ali Liebegott
...moreEd Ruscha, photographer of twenty-six affectless Standard gas stations in LA, Every Building on the Sunset Strip, and painter of words floating in space, with or without a setting, is the subject of a retrospective at London’s Hayward gallery, and the Times of London decided to ask David Lynch what he thinks of it. (Who […]
...moreAt BushwickBK.com, Mimi Luse reports on a one-night-only multimedia Lil’ Wayne-related show, curated by Audrey Berman and Pete Deevakul. With Claude Léveque and Bruce Nauman squaring off at the Venice Biennale, Studio Von Birken’s Louis Vuitton-meets-Lil’-Wayne parody is as potent as a neon spliff. It’s hard to look at some of Nauman’s work and not […]
...moreIn the past couple years whenever anyone has asked for a movie recommendation, I steer them in the direction of Alejandro Jodorowsky.
...moreDavid Lynch’s most recent project seems to be a complete departure from the epic, surreal fictions that made him famous: a collection of oral histories of ordinary people, which he has called simply Interview Project. The research concept was straightforward: send a film team out on a long road trip, and along the way, stop […]
...moreFor a limited time, NPR is offering an Exclusive First Listen to a collaboration of Danger Mouse and Sparklehorse‘s multi-instrumentalist Mark Linkous that may never be released.
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