debut collection
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Both Beauty and Horror: Water & Salt by Lena Khalaf Tuffaha
Tuffaha harnesses the legerdemain of lyric to link love and grief, anger and hope.
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As Long as What Is Said Is Understood: Talking with Lesley Nneka Arimah
Lesley Nneka Arimah discusses her debut collection What It Means When a Man Falls from the Sky, mother-daughter relationships, and the pleasures of genre fiction.
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An Experience and a Life and a Family: Talking with Scaachi Koul
Scaachi Koul on her debut essay collection One Day We’ll All Be Dead and None of This Will Matter, learning to be patient with her own narrative, and three rules for book tours.
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Finding Comfort in the Discomfort: Talking with Juan Martinez
Juan Martinez discusses his debut collection Best Worst American, his relationship to the English language, and why Nabokov ruined his writing for years.
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Beauty Undercut by the Possibility of Terror: Afterland by Mai Der Vang
Precariousness is an essential condition of life for the people who populate Vang’s poems, especially the Hmong refugees on whom the poet’s eye most lovingly lingers.
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A Specific Kind of Loneliness: In Conversation with Geeta Kothari
Geeta Kothari discusses her debut collection, American xenophobia, and the immigrant narrative.
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Ambiguity as a Daily Experience: Talking with Jess Arndt
Jess Arndt discusses her debut story collection Large Animals, accepting love from other people, human bodies, and fear of the written word.
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The Rumpus Mini-Interview Project #87: Kai Cheng Thom
Rarely is birth silent for anyone involved. Silence, instead, is a learned phenomena. Unlearning silence can become its own birth, as it seems in Kai Cheng Thom’s debut poetry collection a place called No Homeland, opening with, “diaspora babies, we…
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On Grief and Inheritance: A Conversation with Brionne Janae
The poet Brionne Janae discusses her debut poetry collection After Jubilee, intergenerational trauma, and writing her way into historical personae.
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Allowing a Female to Own Her Genius: Talking with Alana Massey
Alana Massey discusses her debut collection, All the Lives I Want, the best piece of writing advice she’s ever received, and acknowledging the work that women do.
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The Rumpus Mini-Interview Project #81: Chanelle Benz
Chanelle Benz’s debut collection, The Man Who Shot Out My Eye Is Dead, is filled with characters often facing a moral crossroads. The stories contain the unexpected, like a classic Western complete with local brothel as well as a gothic tale.…
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A Portrait of the Writing Process: Durga Chew-Bose’s Too Much and Not the Mood
Chew-Bose approaches the word essay less as a noun and more as a verb.