Faith Adiele discusses what it means to be a good literary citizen, the importance of decolonizing travel writing, and how she wants to change the way Black stories are being told.
Samantha Irby discusses her new collection, We Are Never Meeting in Real Life, her reluctance to call herself a writer, and writing for the “cream jeans” crowd.
Tamiko Nimura talks about the influence of history, memory, and silence on her work; creating a private MFA for herself; and writing a generational memoir.
Abeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose.
Tara Betts discusses her newest collection, Break the Habit, the burden placed on black women artists to be both artist and activist, and why writing is rooted in identity.
Cole Lavalais discusses her debut novel, Summer of the Cicadas, why she’s a huge fan of outlining, and the importance of dedicated communities for black writers.
First, in the Saturday Interview, Deesha Philyaw talks to celebrated writer Darryl Pinckney about his latest novel, Black Deutschland, and drawing inspiration from Christopher Isherwood’s The Berlin Stories. Pinckney describes Berlin as “a…