Posts Tagged: Dept. of Speculation

We Can Be Both Torn and Whole: Talking with Jeannine Ouellette

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Jeannine Ouelette discusses her debut memoir, THE PART THAT BURNS.

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The Gothic Horror of the Fourth Trimester: Talking with Julia Fine

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Julia Fine discusses her new novel, THE UPSTAIRS HOUSE.

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Both Ways at Once: Talking with Helen Phillips

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Helen Phillips discusses her new novel, THE NEED.

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What to Read When You’re Looking for Desire

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Melissa Matthewson shares a reading list to celebrate TRACING THE DESIRE LINE.

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The Thread: Art Monsters

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I don’t want to be a martyr or a monster. I want to be human.

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What to Read When You Want to Rethink Motherhood

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Rumpus editors share a Mother’s Day reading list to challenge traditional views of motherhood!

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What to Read When You’re Broke Down in Hell

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A list of Melissa Stephenson’s down-and-out favorites for when you have a case of the grays.

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It’s Just Reality: Talking with Meaghan O’Connell

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Meaghan O’Connell discusses her new memoir, And Now We Have Everything, perfectionism in motherhood and writing, and being pregnant again.

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The House of Fiction Has Many Rooms: Talking with Sigrid Nunez

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Sigrid Nunez discusses her seventh novel, The Friend, her fondness for writing about animals, and the ways the literary world has changed.

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What to Read When You Want to Write Like a Mother

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A list of books that wrangle, directly or indirectly, with motherhood and all that comes with it (or its absence).

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Ten Minutes of Motherhood: A Conversation with Ariel Levy

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Ariel Levy on The Rules Do Not Apply, the illusion of control, and language’s inability to express grief.

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The Rumpus Interview with Jane Alison

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Jane Alison discusses her autobiographical novel, Nine Island, the value of truth in fiction, and unsubscribing from romantic love.

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On Writing and Uncertainty

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Is writing a fundamentally speculative act? This is one of the questions Jenny Offill was asked in an interview with the Paris Review. Offill discusses the uncertainty that comes with being a writer, working constantly at a craft that can never be fully mastered. In Offill’s words, “That is why so many talented people stop writing. […]

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