I was pretty sure I could produce a manuscript superior to anything [this editor had] ever published before by letting my cat walk over my keyboard a few times.
Terry McDonell talks about his new memoir The Accidental Life and his career in the magazine business, which spans the beginning of New Journalism through the digital revolution.
Over at the Paris Review Daily, Wei Tchou explores writers’ presentation of their emotions via social media, and what that means for how their work is judged. Tchou concludes: Overblown emotional…
Digital media companies are suddenly worried about declining ad revenue, and the venture capitalists funding these companies have also turned off the faucet of cash as they realize that success…
At The New Inquiry, Christine Baumgarthuber sketches the elitist history of food writing over the centuries before praising digital media’s impact on food culture: In a food blog—or any blog,…
Is this where digital media is headed? When your body is tracked. Gender, power, privilege, and technology. What did you talk about on social media in 2014? Publish or perish:…
Examining the troubled origins of our search for technological utopia. Autocorrect is our favorite fall guy for texting errors, but it’s also the reason you can text. What is worth…
Those little blue padlocks are gone for good. Starting this week, newyorker.com will release all its content to the public, free of charge, until summer’s end. Unfortunately for subscription commitment-phobes,…
While it’s possible to find a lot to worry about in the world of contemporary music, there’s always something new to listen to as well, post-historical, outlying, pre- or anti- or minimally digital music. And so maybe there will be five more years of Swinging Modern Sounds.
Do you know about the Precession? Judd Morrissey and Mark Jeffrey’s project is pioneering new digital landscape, making the act of writing into a visually-stimulating performance piece, combined with the…