Life Is Odd: A Conversation with Dinty W. Moore
Dinty W. Moore discusses his new essay collection, TO HELL WITH IT.
...moreDinty W. Moore discusses his new essay collection, TO HELL WITH IT.
...moreWriter, translator, editor, and publisher Lawrence Schimel talks about his work in the literary world.
...moreMichele Filgate discusses WHAT MY MOTHER AND I DON’T TALK ABOUT.
...more“I want to always fight for art, not against it.”
...moreElizabeth Scanlon discusses her debut full-length collection, Lonesome Gnosis, brains and trains, and poetry as prayer.
...moreTed Scheinman discusses his deep-dive into Jane Austen superfan culture, Camp Austen, how the Internet has fostered fandom culture, and whether being an editor helps his writing.
...moreKayleb Rae Candrilli discusses their debut collection, What Runs Over, reclaiming memory through poetry, and the political act of being happy.
...moreKendra Levin discusses her new book, The Hero Is You, her influential mentors, her career in publishing, and the creative struggles that led her to put writing aside for many years.
...moreTerry McDonell talks about his new memoir The Accidental Life and his career in the magazine business, which spans the beginning of New Journalism through the digital revolution.
...moreMax Porter discusses his debut novel, Grief is the Thing with Feathers, literary genres, and the changing roles of editors.
...moreFor Hazlitt, Steven Price writes a beautiful elegy to his former editor, Ellen Seligman. Seligman and Price collaborated on Price’s By Gaslight, published in August, five months after Seligman’s passing. Editing, at its highest level, is surely a creative act. I don’t know that Ellen would have used such language; she told me once that […]
...moreI realized that I’m interested in how people change when something terrible happens to someone else.
...morePoet Terese Svoboda talks about her biography of the socialist-anarchist firebrand and modernist poet Lola Ridge, Anything That Burns You, and remembers a time when the political was printed in newspapers.
...moreAs an editor of color, one advantage I have is that writers of color are comfortable knowing I’m not asking for edits to artificially enhance or to cover up their race. It’s not weird to me that their characters look like them.
...moreAt The Review Review, Allison Linville offers some tips on submitting based on her time working as a managing editor for a major literary magazine.
...moreMensah Demary, Associate Web Editor for the new and exciting online literary outlet Catapult, shares his story of how he got to be where he is through a series of hilarious and depressing montages, with an overarching theme worth internalizing: “I don’t have the answers; I only have my life.”
...moreOver at Electric Literature, John Freeman reveals what’s behind being an editor and the magic in finding fresh, compelling writing voices.
...moreI knew I didn’t want to be a writer, but I thought I might want to work with writers and with brilliant minds who changed the way I thought about the world. Callie Collins interviews Emily Bell for Midnight Breakfast about her road to becoming an editor.
...moreEditor and author George Hodgman talks about his new memoir, Bettyville, what makes for a good memoir, and returning to his hometown of Paris, Missouri from New York to take care of his aging mother.
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