Through a Prism: A Conversation with Sarah Kasbeer
Sarah Kasbeer discusses her debut essay collection, A WOMAN, A PLAN, AN OUTLINE OF A MAN.
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Posts Tagged: Elisa Gabbert
Notable Online: 9/6–9/12
Literary events taking place virtually this week!
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The Rumpus Book Club Chat with Matthew Salesses
Matthew Salesses discusses his new novel, DISAPPEAR DOPPELGÄNGER DISAPPEAR.
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Notable Online: 8/16–8/22
Literary events taking place virtually this week!
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Notable Online: 8/9–8/15
Literary events taking place virtually this week!
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What to Read When You’ve Made It Halfway Through 2020
Rumpus editors share forthcoming books they can’t wait to read!
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What to Read When You Want to Celebrate Women’s History
Rumpus editors share their favorite writing that speaks to women’s history past, present, and future.
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The Rumpus Book Club Chat with Jenn Shapland
Jenn Shapland discusses MY AUTOBIOGRAPHY OF CARSON MCCULLERS.
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The Brain Wants What It Wants: Talking with Elisa Gabbert
Elisa Gabbert discusses her newest book, THE WORD PRETTY.
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The Rumpus Guide to AWP 2019
A selection of AWP 2019 panels, readings, and events that we are especially excited for!
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This Future Is Here: Talking with Tom McAllister
Tom McAllister discusses his new novel, How to Be Safe, workshops, Twitter, dystopia, and narrative voice.
...moreCombating Lit Journal Bias
In the latest installment of “The Blunt Instrument” over at Electric Literature, Elisa Gabbert tackles the delicate question of bias in literary journals. Her answer? Take thoughtful reflections and make careful adjustments.
...more21st Century Magical Realist
Beyond the obvious fact of when it was written or published, what does it mean for literature to be contemporary? Is a work’s relevance determined by market trends and cultural currents? In her monthly advice column for Electric Literature, Elisa Gabbert allays a writer’s temporally induced anxieties: Magical realism “has been done,” yes, but so […]
...moreAdvice for Writers Anxious of Rejection
I know of no level of success where writers stop getting rejected (and stop at least occasionally feeling bummed about it). People generally make more noise about publications than rejections, the same way people mostly share pictures of happy moments on Facebook, making their sad moments invisible. Rejection stings. Writing is hard. How do writers […]
...moreHow to Write Emoji
For Guernica, Elisa Gabbert explores the incorporation of emoji into language and fiction. Gabbert also addresses the idea of diachronic translations, i.e. translating fiction from one historical era to another, and what place hyper-specific contemporary technology like emoji have in fiction.
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The Rumpus Interview with Elisa Gabbert
Author Elisa Gabbert talks about her books, The Self Unstable and The French Exit, diversity, publishing, whiteness, and writing in the Internet Age.
...moreA Good Artist
You’ve got a good thing going. How do you know when to stop? Over at Electric Literature, Elisa Gabbert advises: Calling a manuscript done is a decision you need to make.
...moreDear White Men, Publish Responsibly
For Electric Literature, Adalena Kavanagh has a conversation with poet Elisa Gabbert on Google Chat about how to advise white male writers to publish ethically. Their conversation also explores topics related to power structures in the publishing industry, and the implications of white authors writing from the perspective of a different race: There is a long tradition of male […]
...moreWhat If
Last week, Elisa Gabbert broke Twitter with her advice column addressing a white male writer’s anxieties about privilege and perspective. Christian Lorentzen followed up with the author for Vulture: But let’s talk about it! What if? What if we changed things or at least considered changing things?
...moreUnbearable Whiteness
Elisa Gabbert asks the hard questions for Electric Literature: When the VIDA counts come out and multiple publications are shown to publish far more men than women (with the numbers for POC writers looking even worse), editors make excuses about their submission pools – they get far more submissions and pitches from men than women. Then people […]
...moreConsider the Paragraph
Paragraphs just might be the most underrated writing tool. Over at Smart Set, Elisa Gabbert points out how the use of paragraphs makes a difference in writing literature.
...moreOver 300 Characters
At Electric Literature, Elisa Gabbert’s finally collected what we never knew we needed: a compendium of the year’s most essential literary tweets.
...moreTable Talk
At The Believer Logger, 14 writers sat down with Elisa Gabbert to talk reading, writing, reading without writing, writing in the midst of reading, willfully neglecting both, dutifully submitting to one or the other, and their relationships with the two.
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The Self Unstable by Elisa Gabbert
Brian Pera reviews Elisa Gabbert’s The Self Unstable today in Rumpus Poetry.
...moreNational Poetry Month Day 11: “The History of Asterisks” by Elisa Gabbert and Kathleen Rooney
The History of Asterisks It is midnight under the sky’s dome ceiling. The moon speaks, saying nothing of consequence. John Wayne is from Iowa, so we hitchhiked West and I realized I never really loved you. Your skepticism of scientific indices of happiness is probably gendered or otherwise distorted. According to Keynesian economics, demand is […]
...moreGot Plans Tonight?
You do now. Join occasional Rumpus contributors Elisa Gabbert and Sommer Browning as they live-tweet “The Shining,” tonight at 9:00 p.m. Eastern, 6:00 p.m. Pacific. Why don’t I include the other time zones? Because we do the conversion automatically. Follow the hashtag #redrum or follow Elisa and Sommer (I do!) at their respective Twitter handles […]
...more“Southern Wind, Clear Sky”: A Rumpus Original Poem by Elisa Gabbert and Kathleen Rooney
Southern Wind, Clear Sky – Elisa Gabbert and Kathleen Rooney
...moreNational Poetry Month Day 12: “Semi-Aubade” by Elisa Gabbert
Welcome to The Rumpus’s National Poetry Month project. We’ll be running a new poem from a different poet each day for the month of April. Semi-Aubade When I wake in the morning, my mind is black.
...moreIt Ninja-Stars Me
The voice that animates The French Exit is smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of Lacanian devotion, as a mirror which doesn’t so much distort as endless “reveal,” like the panopticon eye of a camera.
...moreDiversity in Voices
In a very powerful piece
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