Everywhere people are shoving things into the ground—time capsules not to be opened until the year 2100, the more optimistic postmarked for 3000—letters to the future in the language of the now.
After all, the essay, in its American incarnation, is a direct outgrowth of the sermon: argumentative, insistent, not infrequently irritating. Minimalist prose. Maximalist ideas. A long tradition of anti-intellectualism. Adverbs.…
Brevity’s nonfiction blog takes a look at a recent short film about writer George Saunders’s thoughts on storytelling, and applies his advice to essay and memoir: With nonfiction, looking underneath…
It’s a process that catalyzes us into seeing in a new way, to grasping what may intuitively lie beyond language itself. The Kenyon Review editor David H. Lynn asks: what…
Charles D’Ambrosio, a finalist for the 2015 PEN/Diamonstein-Spielvogel Award for the Art of the Essay for Loitering: New and Collected Essay, has a piece up on the PEN website about his…