The Rumpus Book Club Chat with Morowa Yejidé
Morowa Yejidé discusses her new novel, CREATURES OF PASSAGE.
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Join NOW!Morowa Yejidé discusses her new novel, CREATURES OF PASSAGE.
...moreKyle McCarthy discusses her debut novel, EVERYONE KNOWS HOW MUCH I LOVE YOU.
...moreKatharine Coldiron discusses her forthcoming novella, CEREMONIALS.
...moreWhat we’re reading in our Poetry Book Club next month!
...moreAmy Feltman discusses her debut novel, WILLA & HESPER.
...moreKiese Laymon discusses his new memoir, HEAVY.
...moreCapturing the Delta in harrowing detail, Ward takes readers on a journey from her own home of the Gulf Coast to the Mississippi State Penitentiary.
...moreJay Baron Nicorvo discusses his debut novel, The Standard Grand, how easy it is for civilians to forget about soldiers and veterans, and his longstanding love of animals.
...moreSamantha Hunt discusses her new collection, The Dark Dark, why she became a writer, and the freeing quiet of darkness.
...moreI am fixated by this detail of the bread and beans because it strikes me that Coetzee’s prose might itself be described as “bread and beans” writing: short, declarative sentences, with a fairly simple vocabulary.
...moreJonathan Corcoran discusses his debut collection The Rope Swing, Appalachian writing communities, getting disowned by his family for coming out, and his father’s death.
...moreIn her voice, I am held, cradled even. I am equal parts longing and hope. I am home.
...moreLeland Cheuk discusses his novel The Misadventures of Sulliver Pong, dark humor, cancer, morally corrupt characters, and his mother.
...moreI have learned to put myself, my ego, to one side and truly experience someone else’s poetry.
...moreFor the New York Times’s Bookends column, Thomas Mallon and Leslie Jamison muse on the books that best capture the intricate and fraught relationships between siblings: That’s what I felt Faulkner intuited about siblings: that there were all sorts of gaps and harms and distances that might befall them, that they might inflict on each other, […]
...moreSometimes we bypass the classic novels on the way to the rich offering of current literary fiction. Fair enough; there is so much to love in today’s fiction. But once in a while, dust off a classic gem and consider the language, the depth, the metaphorical heft these books carry—along with being engrossing, powerful reads. Reading […]
...moreAt the New York Times Book Ends column this week, Zoë Heller and Francine Prose discuss whether or not William Faulkner’s famous quote, “The writer’s only responsibility is to his art,” holds up. In other words, Heller asks, does producing great art excuse terrible human behavior? Her conclusion is that no, it doesn’t. Prose seems to […]
...moreSunil Yapa discusses his debut novel, Your Heart is a Muscle the Size of a Fist, radical empathy, growing up surrounded by politics, and losing the first draft of his novel in Chile.
...moreOver at The Toast, Rebecca Turkewitz writes about the intersections between literary geography and the real, from Joyce’s Dublin and Tolkien’s Middle Europe to Faulkner’s Mississippi and Munro’s Ontario—how we explore these places by walking through pages, and how they map to our homes and street corners.
...moreIf it seems that “lost” books, short stories, and everything else are coming out of the woodwork, well, they are. The Strand magazine has just published Twixt Cup and Lip, an early play by William Faulkner written in the 1920s: The Strand describes the play as “a light-hearted jazz age story.” Prohibition is under way, and […]
...moreI was becoming awed by the wide horizon of the speech that arose out of an individual life lived in a single era and generation. I was becoming attracted to the writer’s creativity.
...moreThe Rumpus Poetry Book Club chats with Thorpe Moeckel about his new book Arcadia Road, the challenge of writing long poems, raising twins, and camo thongs.
...moreRichard Grant discusses how his time living in Mississippi provided him with a more full understanding of William Faulkner’s language. Despite studying Faulkner at school in England, Grant felt that it wasn’t until he moved that he was able to totally appreciate Faulkner’s work: To sit on the old porch reading Mr. Bill, with a […]
...moreJoe Meno and Margaret Wappler dive deep into his new book, Marvel and a Wonder, talking about race, masculinity, and rural America.
...moreOver at The Nervous Breakdown, Elise Sherman explores her literary roots in a self interview that touches on the South, her neo-Faulknerian tendencies, and the difference between New Orleans and the rest of the world.
...moreRewriting the classics has become a stale and risk-averse strategy. But that shouldn’t spoil the fun of our larger culture of remixing.
...moreNone of us has telepathy, and even the most empathetic of us can’t really experience the world as another person experiences it. So we read essays and memoirs.
...moreOne could sense this passion in all of us. It seemed to fill the classroom as if it were part of the oxygen.
...moreNovelist Christy Crutchfield talks about her debut, How to Catch a Coyote, world building, inspiration, icky fiction, the role of mystery, and the marathon of novel writing
...morePaul Griner talks about his newest novel, Second Life, his just-released story collection Hurry Please I Want to Know, putting real life into fiction, and whether creative writing can be taught.
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