I wanted to be able to frame the story within this understanding that these are powerful forces and that these are stories we’ve heard a lot before, and that these stories get in the way of, or make it hard to understand or even listen to, a more authentic or more real story about who people are or can be.
When I start running, I want you to keep your eyes on it, because you’ll notice something that may seem strange. You will find that no matter where I run, or how long, or how far, you will not see this moon move an inch in the sky.
The amount of pressure on young men still to get on with it and to bottle it up and to be strong and be certain is overwhelming. And it shows in the UK. The suicide rates for men are so high. It’s a mental health issue. We don’t allow men to express themselves or talk about their vulnerability, and we blame them for a lot; we get to that phrase “toxic masculinity” really quickly. I don’t believe masculinity is always toxic, I just think sometimes it’s very unhealthy and we need to examine it and open it up.
Rather than work being a place to follow your dream, or make a difference, it’s the place you work because you have to figure out a way to pay your rent.
I think it is imperative to explore the limits of the colonial narrative and its dictates because, whether we like it or not, the world that we have inherited was created by that narrative. If we have any hope of moving past it, we have to understand it fully.
" . . . I’m pretending to be a student for the sake of a thought experiment I’m trying to disguise as a story so it has a better chance of getting read. Also, I look young."
Jade Sharma discusses her first novel Problems, the complicated feelings that came with debuting to rave reviews, and her writing and editing processes.