Janice Erlbaum talks about her new novel, I, Liar, how writing memoir compares to writing fiction, homelessness in America, and Munchausen syndrome and Borderline Personality Disorder.
Why is Dr. Seuss funny? Science knows. Stanford has a digital humanities major. So, that’s a thing now. Dominating the translation business. These youths are really famous on the Internet.
Sharon Oard Warner discusses her latest book, Sophie’s House of Cards, Breaking Bad, how a sense of place informs fiction, and the Republican war on Planned Parenthood.
Geoff Dyer, author of numerous nonfiction titles, discusses the increasingly blurry border between fiction and nonfiction—and more importantly, whether that distinction matters—at the Guardian: As the did-it-really-happen? issue gives way to questions…
For our ongoing Authors Guild series, Lori Ostlund speaks with Pulitzer Prize-winning novelist Richard Russo about what it means to live a literary life in the 21st century.
Author Louisa Hall discusses her latest novel, Speak, the future of artificial intelligence, and how playing squash taught her a love of literary technique.
Legendary technomodernist William Gibson, author of Neuromancer, talks about his latest book, The Peripheral, predicting the future, and how writing about Silicon Valley today feels like his early work.
There is a vanishing point in our humanity, a point at which the other goes from being definite to indefinite. But this point is also the locus for the opposite…
Elisabeth Egan discusses her debut novel, A Window Opens, life as a book lover, workplace jargon, and the question we should ask ourselves in place of can we “have it all”.
Valeria Luiselli talks about her new novel, The Story of My Teeth, working with a translator to publish her books in English, and how writing in weekly installments changed her process.