Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.
It is unlikely I will see the US justice system evolve toward an egalitarian ideal in my lifetime. But Whose Streets? does offer a clearly visible North Star.
“It” does not even “come” in the traditional sense. These primal, atavistic qualities are with us all the time, lying dormant until the right situation coaxes them forth.
Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories.
If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start.
Julie Buntin discusses her debut novel, Marlena, the writers and books that influenced it, tackling addiction with compassion, and the magic of teenage girls.
Lion could be a simple homecoming story, the prodigal son returning to the place he was born. Except, the son in question was six when he left. Now, he’s twenty-six…
I met Deborah Kampmeier at a workshop in November. We were two weeks post-election; the room was raw with emotion, and electric with conversations about resistance. This tall, badass woman dressed…