Film
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Spaces of Exception vs. Spaces of Redemption: The Films of Ana Lily Amirpour
Diasporic communities live inside a host nation, but they also live with difference.
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Erasing the Girl: Why Don’t We Trust Women to Tell Their Stories of Disordered Eating?
I didn’t want to criticize her, or demand explanations from her. I just wanted to hear her speak.
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Empathy Is Cheap: A Conversation with Brandon Harris
Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.
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There Is Simply No Time for This: Whose Streets? and Civil Rights Cinema
It is unlikely I will see the US justice system evolve toward an egalitarian ideal in my lifetime. But Whose Streets? does offer a clearly visible North Star.
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The Rumpus Review of It Comes at Night
“It” does not even “come” in the traditional sense. These primal, atavistic qualities are with us all the time, lying dormant until the right situation coaxes them forth.
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How The Keepers Reframes Confession as a Feminist Act
Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories.
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Out of the Trenches: The Rumpus Review of Wonder Woman
If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start.
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Lone Star Cinema
In clinging to a set of memories that fade more every day, maybe I’m also clinging to an idyllic version of my own past.
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The Rumpus Book Club Chat with Julie Buntin
Julie Buntin discusses her debut novel, Marlena, the writers and books that influenced it, tackling addiction with compassion, and the magic of teenage girls.
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Don’t Think Twice and the Power of Improvising through the Unknown
It’s a little extraordinary when you realize that you’re the one getting in your own way.
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The Rumpus Mini-Interview Project #77: Hauschka
Lion could be a simple homecoming story, the prodigal son returning to the place he was born. Except, the son in question was six when he left. Now, he’s twenty-six and his story is far from simple. Garth Davis’s film,…
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The Rumpus Mini-Interview Project #75: Deborah Kampmeier
I met Deborah Kampmeier at a workshop in November. We were two weeks post-election; the room was raw with emotion, and electric with conversations about resistance. This tall, badass woman dressed in all black sauntered into the room, and chose a…