Deep, Wide, and Ridiculous: Talking with Diane Seuss
Diane Seuss discusses her most recent collection, STILL LIFE WITH TWO DEAD PEACOCKS AND A GIRL.
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A Story of Memory: Machine by Susan Steinberg
The narrator is trapped here, in the summer her family and her life fell apart.
Between Sex and Death: Deborah Landau’s Soft Targets
Survival, for Landau, is both instinctual and ultimately pointless.
The Rumpus Book Club Chat with Elissa Washuta and Theresa Warburton
Elissa Washuta and Theresa Warburton discusses SHAPES OF NATIVE NONFICTION.
Mystery and the Unknown: Talking with Lauren Haldeman
Lauren Haldeman discusses her most recent poetry collection, Instead of Dying, making poetry accessible, and being open to the surprising possibilities of form.
The Rumpus Book Club Chat with Mary-Kim Arnold
Mary-Kim Arnold discusses her debut book, Litany for the Long Moment, exploring adoption through a feminist lens, and dancing on the line between genres.
The Rumpus Poetry Book Club Chat with Kamilah Aisha Moon
Kamilah Aisha Moon discusses her new collection, Starshine & Clay, the power of naming, and the connection between creation and trauma.
The Unbearable Whiteness of Being: Claudia Cortese Discusses Wasp Queen
Poet Claudia Cortese talks about her new book Wasp Queen and Lucy, the rebellious 90s teen whose voice inspired the collection.
Personal, Political, and Poetic: A Conversation with Susan Briante
Susan Briante discusses The Market Wonders, her newest collection of poetry in which she draws on market indicators like the Dow Jones Industrial Average to construct a criticism of contemporary culture.
Swinging Modern Sounds #78: Conceived as a Playlist
Shadowbahn [...] is among the most unusual, and most extreme, in a literary career that has often been marked by its unpredictability.
The Rumpus Interview with Erik Kennedy
Poet Erik Kennedy discusses literary community and his formative years as a young writer in New Jersey, and shares two new prose poems.
The Rumpus Interview with Vi Khi Nao
Vi Khi Nao on her new novel Fish in Exile, why women shouldn't apologize (even when they're wrong), moving between genres, and why humor is vital in a novel full of darkness and grief.