Rediscovering Amber Reeves
For Full Stop, Emma Schneider reviews a recently republished book: Amber Reeves’s 1914 novel A Lady and Her Husband, which Schneider aligns with “American pre-war feminist classics such as The…
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full stop
18 posts
The Writer’s Voice on Social Media
Voice is not a commodity but the slow accretion of individual perspective. This is a writer’s most valuable asset… Social media isn’t a distraction from the seriousness of what he’s…
Reality, Fiction, Everything in Between
In such a world, the trajectory of any one character, however prominent, never escapes being warped by the gravity of another. Even if, as in Preparation for the Next Life,…
The Poetic Power of Pedestrians
By merely wandering, the dérivist frustrates the spatial logic of capitalism, in the process discovering new currents, fissures, and vortices of possibility within a deeply familiar space. Wandering and drifting…
The Origins of Slang
Over at Full Stop, Tammela Platt reviews The Essence of Jargon by Alice Becker-Ho, a look into the origins of slang as a protection developed by marginalized populations.
Live-Tweeting Grief
“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster…
Following Ulysses
To what extent am I reading Ulysses by following Ulysses Reader? What does “reading” even mean at this point, given our near-constant engagement with text? Over at Full Stop, Dustin…
Go Ahead, Break Some Grammar Rules
It’s actually the opposite. Most people break grammar rules so they can be more precise. For Full Stop, Catie Disabato writes about prescriptive vs. descriptive grammar, and why “bad” grammar…
I Internet, Therefore I am!
What defines a person’s existence? A photo ID or their Internet activity? It’s a question that has been losing its irony lately. There’s the news of a traveling couple that…
Wright’s Anna Karenina: Noble Failure?
Amanda Shubert’s essay “Love in Excess: Joe Wright’s Anna Karenina” takes two of Wright’s film adaptations, Pride and Prejudice (2005) and Atonement (2007), and perceptively compares and contrasts them to Anna…
No Animals We Could Name
At Full Stop, Ben Jahn reviews Ted Sanders’ new story collection, No Animals We Could Name. The collection, as the title suggests, often skirts the foggy line between the imaginary and the…
Don’t “Do” Rome
At Full Stop, Stephanie Bernhard writes about why we shouldn’t “do” cities. “To suggest that a city or site can be “done,” like dishes, the laundry, or homework, reduces said…