The artist statement is not just a representation of what you are working on, but an intervention in what you are working on. If you start saying, I aim to…
I wonder about this in terms of genre. Just as I don’t want to identify as non-binary, regardless of the potential room for accuracy, I don’t want to identify as…
Leigh Stein discusses her new memoir, Land of Enchantment, co-founding Out of the Binders, and why most of her projects begin as "an idea that someone else pushes back on."
In an excerpt from the introduction to their new book The Big Book of Science Fiction, Ann VanderMeer and Jeff VanderMeer explore what they identify as the three strains of science…
It just means that we have a desire for our language to be able to perform in a different way than it performs, and we have a desire for a reconciliation…
There’s a tendency to take writers who write about race and shuffle them into a genre, into a predetermined conversation, whether they wanted to be there or not. But even…
Wherever the boundary between fiction and nonfiction, Geoff Dyer has long since crossed it. For Hazlitt, Kyle Chayka talked to the author of White Sands about the continuum of the…
Writing for Open Letters Monthly, Rohan Maitzen reviews the conclusion of The Survivors’ Club, a seven-book romance series by Mary Balogh. Maitzen uses the series to explore the formulaic nature…
The then-girls, now-women who grew up reading Harry Potter are revitalizing the book market and steering publishing trends, and here’s what they want now: crime thriller fiction featuring calculating and…
Over at Lit Hub, Jennifer R. Bernstein confronts the disciplinary rift that has grown between psychology and literature to show how the two are linked, even nested inside one another…
Great novels also experiment and innovate, but a short story can make a never-before-seen formal leap and then peace out, before you’re even sure what’s happened. At Electric Literature, Rebecca…