Both Ways at Once: Talking with Helen Phillips
Helen Phillips discusses her new novel, THE NEED.
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Posts Tagged: genre
The Sacred Act of Art-Making: A Conversation with Patrick Coleman
Patrick Coleman discusses his debut novel, THE CHURCHGOER.
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A Very Precarious Moment: Talking with Karen Russell
Karen Russell discusses her newest collection, ORANGE WORLD AND OTHER STORIES.
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A Slant Wholeness: Talking with Barrie Jean Borich
Barrie Jean Borrich discusses her work, including her most recent collection APOCALYPSE, DARLING.
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Four Continents, Three Families, One Nation: Talking with Namwali Serpell
Namwali Serpell discusses her debut novel, THE OLD DRIFT.
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Our Madness: Talking with Sarah Fawn Montgomery
Sarah Fawn Montgomery discusses her debut memoir, QUITE MAD.
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A Subjective Magic: Jenny Boully’s Betwixt-and-Between
Boully splays open her own torso and readers divine what they need to from the spill of her organs.
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The Rumpus Mini-Interview Project #145: Thirii Myo Kyaw Myint
“Categories are, by definition, externally created and applied.”
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Any Day Now: A Conversation with Anjali Sachdeva
Anjali Sachdeva discusses her debut story collection, ALL THE NAMES THEY USED FOR GOD.
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Woven from Dreams: A Conversation with Kiki Petrosino
Kiki Petrosino discusses her newest collection, Witch Wife, the career she’d have in an alternate universe, and the relationship between reading and writing.
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Nesting Dolls: Julie Carr’s Objects from a Borrowed Confession
Would you say poetry, for you, is the vessel which houses all other forms? I would say it is for me.
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A Life of Words: A Conversation with Chip Livingston
Chip Livingston discusses his new novel, Owls Don’t Have to Mean Death, his move to Uruguay, his writing life, and the significance of owls.
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Carving Out Enough Space on the Cloud: Talking with Hanif Abdurraqib
Hanif Abdurraqib discusses They Can’t Kill Us Until They Kill Us, honoring survival by showing up, and refusing to be governed by genre.
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At the Boundaries of Genre: Talking with Lily Hoang
Lily Hoang discusses her first essay collection, A Bestiary, the importance of genre, and the lessons of teaching.
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Between Autonomy and Powerlessness: Her Body and Other Parties by Carmen Maria Machado
Women’s bodies signify so much, both to ourselves and others, that inhabiting them and having ownership over them often feel like two different states of being.
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Reinventing Motherhood and Re-Dreaming Reality: Talking with Ariel Gore
Ariel Gore discusses her new novel We Were Witches, why capitalism and the banking system are the real enemies, and finding the limits between memoir and fiction.
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Spaces of Exception vs. Spaces of Redemption: The Films of Ana Lily Amirpour
Diasporic communities live inside a host nation, but they also live with difference.
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A Poethead’s Guide to the Galaxy: Talking with David Hernandez
David Hernandez discusses his most recent poetry collection, Dear, Sincerely, working across multiple genres, and why the act of making anything is a kind of optimism.
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The Rumpus Mini-Interview Project #92: Bud Smith
It’s hard to say when I first became aware of Bud Smith’s writing. I’m sure it was online; his work is fairly ubiquitous here—an essay here, a poem there, a short story someplace else. He’s got a few books under his belt to boot, the stellar F-250 and Calm Face, as well as the most […]
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VISIBLE: Women Writers of Color: Lisa Factora-Borchers
Lisa Factora-Borchers talks about being a Catholic feminist, writing across genres, and pushing back against a singular narrative about New York.
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Down the Rabbit Hole of Experimental Fiction: Michael J. Seidlinger on Becoming a Reader
Michael J. Seidlinger discusses returning to House of Leaves for Ig Publishing’s “Bookmarked” series.
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The Rumpus Mini-Interview Project #76: Chris Tusa
Set in post-Katrina New Orleans, Chris Tusa’s second novel, In the City of Falling Stars (Livingston Press, September 2016), tells a tale of paranoia and intrigue. Maurice Delahoussaye witnesses dead birds falling from the sky, and becomes convinced the air is toxic. With equal parts humor and depravity, the novel chronicles a fractured family amidst a […]
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The Rumpus Interview with Joe Ide
Joe Ide discusses his debut novel, IQ his writing process, and why he enjoys fly fishing.
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The Rumpus Mini-Interview Project #74: Alexandra Naughton
Alexandra Naughton is a writer who grew up in Philadelphia but converted to a California girl in 2008. She runs BE ABOUT IT, a small press and reading series and is an active member in Bay Area literary shenanigans. Over the course of some days I talked via Google Docs, and later email, with Naughton about […]
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The Rumpus Mini-Interview Project #73: Maggie Shipstead
I first met Maggie Shipstead in 2011 when she was a Stegner Fellow at Stanford University. She had not yet published her first novel, Seating Arrangements, which would later become a New York Times bestseller, but even then the magnitude of her ambition, shrewdness, and intellectual generosity was evident. After her first book debuted in […]
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The Rumpus Mini-Interview Project #72: Laurie Sheck
Laurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the […]
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VISIBLE: Women Writers of Color: Abeer Hoque
Abeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose.
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The Future of Body Horror: Can Our Art Keep up with Our Suffering?
The individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
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The Rumpus Interview with Robert Glancy
Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
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On Self-Reliance: Frank Ocean as Emersonian Hero
As Emerson recognizes, someone who couldn’t care less about how they come across is all the more charismatic and convincing.
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