The Rumpus Mini-Interview Project: Andrew Bertaina
“Life is incredibly sad, but it’s also funny, joyful, wonderful, and strange.”
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Join NOW!“Life is incredibly sad, but it’s also funny, joyful, wonderful, and strange.”
...more“Ultimately, this is who I am. I can only write honestly, and from where I live.”
...moreRachel Vorona Cote shares a reading list to celebrate TOO MUCH.
...moreLarissa MacFarquhar discusses her book Strangers Drowning, why she finds nonfiction so compelling, and how she gets inside the minds of her subjects.
...moreMy point is that she’s a bit of a paradox. Over at McSweeney’s, Amy Watkins explains why George Eliot has every right to be really, really upset.
...moreErasing women writers like Woolson carries immense implications. It creates an environment ripe for the continued marginalization and silencing of women’s voices today.
...moreSometimes privilege can be confusing. Over at the Guardian, male writers explain why they decided to publish under female pseudonyms: Does it help to be identified as a woman, or to have no gender at all? Someone needs to tell these guys they’ll only get 78 cents to the dollar.
...moreDarcey Steinke talks about her new novel, Sister Golden Hair, motherlessness, the Southern cult of femininity, and how becoming a woman has changed since she came of age in a small city in the Blue Ridge Mountains.
...moreSuzanne Koven sits down with the New Yorker‘s Rebecca Mead to discuss My Life in Middlemarch, the way a single great book can illuminate our lives over decades, and how our reading of that book changes as we grow older.
...moreWell, George Eliot is Mary Ann Evans. She chose a male pen name, believing that using her own name would not allow her to be taken seriously as a writer. Over on Thought Catalog, s.e. smith writes about using a gender-neutral name and how perceived gender affects writers’ reception. Giving examples of how gender can […]
...moreIn her novel Angel, Elizabeth Taylor turns the exploration of the relationship of the artist to her imagination, her drive, her self-opinion, her ego, on its ear.
...moreRumpus contributor extraordinaire Jason Novak shares an ambitious illustration of George Eliot’s Middlemarch over at the Paris Review Daily.
...moreI recently bought a refrigerator magnet at Whole Foods, three and a half inches square, white letters, all lowercase, on a black background. It says “never never never give up (winston churchill).”
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