Rumpus Exclusive: “Sacred Stories”
All anyone really wants is to be seen and heard, and yet we avoid seeing and hearing others every day.
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George W. Bush
15 posts
Into Unbound Space: Talking with Seth Rogoff
Seth Rogoff discusses his novels FIRST, THE RAVEN: A PREFACE and THIN RISING VAPORS.
The Neoliberal Heart of the 90s Romcom
The personal is political, to the extent that politics itself can be effectively effaced with no detrimental effects.
The Sleepwalking American Male
Libraries Are the Real Punk Rock
Maybe I was only in the eighth grade, but I was ready to stand up to anyone who tried to threaten the ideal of intellectual freedom.
The Aura of Baby Einstein, the Child, the Toy
If there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?
The Rumpus Poetry Book Club Chat with Chris Santiago
Chris Santigo on his new collection Tula, writing a multilingual text, and the connections between music and writing poetry.
War Narratives #5: Surge
But those who subscribe to the Surge narrative have to work very hard to choose and order their supporting facts.
David Biespiel’s Poetry Wire: Midnight in the Century
...today’s poetry apologists for the Iraq war just keep repeating their intelligence error odes. Wouldn’t it be better, however, if they would address the horror of the failed effort in Iraq?
The Rumpus Interview with Laura van den Berg
Author Laura van den Berg talks to the Rumpus about why she thinks America is obsessed with dystopias, the intersection of surrealism and realism in her work, and choosing an ambiguous ending for her new novel, Find Me.
The Rumpus Interview with Robert Repino
Robert Repino talks about his debut novel, Mort(e), the publishing industry, science fiction and literary fiction, writing about religion, and how to write about complex chemical ant languages.
Hollywood Pilgrims
The landscape stood out, but I also had an uneasy sense of déjà vu, as if the image had already been imprinted in my memory. I knew that the valley was the setting for John Ford’s 1939 western Stagecoach, the film that gave John Wayne his breakout role.