gillian flynn
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Post-Gone Girl Crime Writing
When today’s crime writers are in doubt, they have a woman come through the door with a passive-aggressive zinger on her lips. At the Atlantic, Terrence Rafferty writes about the history crime fiction, from pulp writers in the 20s and 30s…
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Blame Harry Potter for Your Girlfriend Going Gone Girl
The then-girls, now-women who grew up reading Harry Potter are revitalizing the book market and steering publishing trends, and here’s what they want now: crime thriller fiction featuring calculating and vengeful female protagonists, now its own genre umbrella-ed by the…
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Crime Girls
NPR explores whether and how putting “girl” in the title of your crime novel will garner favorable comparisons to heavy-hitters like Gillian Flynn’s Gone Girl and Paula Hawkins’s The Girl on the Train—and therefore benefit from an increase in sales: So…
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The Rumpus Interview with Deborah Reed
Author Deborah Reed discusses her latest novel, Olivay, the necessity of fire, Los Angeles anxiety, and how she found fulfillment at the edge of the American West.
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Rewrite, Reboot, Remix
Rewriting the classics has become a stale and risk-averse strategy. But that shouldn’t spoil the fun of our larger culture of remixing.
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Drivel Delivered
Drivel: Deliciously Bad Writing By Your Favorite Authors, contains exactly what its title promises. The book came out last fall, but Lit Hub just posted a few excerpts, including a comic strip by Daniel Clowes and a story by Gillian Flynn…
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The Rumpus Interview with Lori Rader-Day
Lori Rader-Day discusses her second novel, Little Pretty Things, the “five lost years” when she didn’t write at all, and her favorite deep-dish pizza.
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Flynn and Strayed, Together At Last
Cheryl Strayed and Gillian Flynn discuss ladies and likability in their writing: It never occurred to me, not once, that the book would be read as an inspirational tale. I really have no interest in likability when it comes to…
