One thing I was taught about travel—because my father is a black man born in Alabama in 1950—was that there are safe places for black people to go and places that aren't as safe.
A friend of my parents, who was the girlfriend of a roadie for the Grateful Dead, gave me this hologram skull and roses bolo tie when I was around five years old.
Jeremy Earl discusses his latest album, City Sun Eater in the River of Light, the fruitful tension of city vs. country, finding beauty in the darkness of today’s world, and the enduring good vibes of the Grateful Dead.
It does us all a disservice to separate the Valley’s current industrial action from that of its natural environment, human history and broader political context.