Disrupting Language Hierarchies: Talking with Judith Santopietro
Judith Santopietro discusses TIAWANAKU. POEMAS DE LA MADRE COQA/POEMS FROM THE MOTHER COQA.
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Guatemala
13 posts
Remembering as Deconstruction: Eduardo Halfon’s Mourning
To scrutinize the past, one must approach the walls between then and now.
Poetry Is Wild: Talking with Ariel Francisco
Ariel Francisco discusses his forthcoming second collection, A SINKING SHIP IS STILL A SHIP.
TORCH: The Reunion
He was and still is a stranger, uninhabitable and distant like a whisper in a language I don't quite understand.
Rumpus Original Fiction: Day of the Dead
Octavio is tired, tired of trying to separate what he remembers so vividly from the memories he can barely make out in the fog.
The Sunday Rumpus Essay: The Year of Light and Dark
It isn’t much of a contest to say that Julie Coyne is the single most inspirational human being I have ever met. And I am here—in Xela—in part because I could use a little inspiration.
Used-Car Salesman
I wondered if he understood my joke, or its evasion, but surely he knew a used-car salesman always fudged his story. In fact, the car had been in my possession all of three weeks. Also, it didn’t exactly belong to me.
The Rumpus Interview with Elizabeth Kadetsky
Elizabeth Kadetsky talks about her new novella On the Island at the Center of the Center of the World, writing about trauma and external forces, and coming to fiction from journalism.
The Rumpus Interview with Sunil Yapa
Sunil Yapa discusses his debut novel, Your Heart is a Muscle the Size of a Fist, radical empathy, growing up surrounded by politics, and losing the first draft of his novel in Chile.
The Small Face of Equity
I was twenty-four and I knew everything. I knew about justice; I knew about respect. I knew everyone in the world had it in them.
The Rumpus Interview with Francisco Goldman
Francisco Goldman talks about the Narvarte Murders, Ayotzinapa, and the stories he feels most responsible for telling now.
Writing in Exile
For Electric Literature, Guatemalan author Eduardo Halfon recounts his unexpected turn to literature after returning to Guatemala in his early thirties, the paranoia and danger that accompanies being a writer…