It’s a week of New York stories. First, in honor of St. Pat and maybe too those of us still a little rocked by the Daylight Savings shift, note should…
Guernica speaks with literary agent Chris Parris-Lamb, who built a career around selling Chad Harbach‘s debut novel The Art of Fielding for a reported $665,000. Since then, he has sold…
For all her artistic clout, critics continue to dismiss Miranda July as “cutesy” and “twee,” labels that reflect an inability to distinguish between her work and her persona. Over at…
Just in time for Valentine’s Day, Alissa Nutting has given us the story of a woman with a transparent panel covering her beating heart. Her story, “The Transparency Project,” arrived…
Guernica interviews Rumpus columnist Thomas Page McBee; he touches on his upcoming novel, American masculinity, and his steady transition across genders and cultures: I didn’t transition until I was thirty.…
At Guernica, Rebecca Saleton, the editorial director of Riverhead Books who has worked with the likes of Hillary Clinton and Peter Matthiessen, talks about her experience in publishing over the…
My teacher’s point was, “Don’t write about race. It’s not worth it. It’s the third rail.” Over at Guernica, Grace Bello interviews Jess Row about his new book, Your Face In…
The truth is that the horror of being eaten outpaces the horror of death by any other means. Microbe, animal, another human: being consumed feels sharper, entirely visceral. But why?…
Every good story is rooted in conflict, and most of us learned the different types of conflict in our high school literature classes like clockwork, year in and year out:…
On Tuesday, Guernica published “Walking on Water,” an excerpt from Payem Faeli’s 2010 novella, I Will Grow, I Will Bear Fruit… Figs. In this excerpt, translated into English by Sarah…
As Guernica approaches its 10th anniversary, the online magazine has hired its first full-time publisher and is planning their first-ever print edition. Tori Telfer over at Bustle spoke to Michael…