Guernica

  • Writing Better Diverse Books

    But between publishers’, readers’ (audiences!), editors’, writers’—and, it turns out, MFA students’—definitions, the term “immigrant fiction” has become a muddle, a catchall phrase to describe anything that appears “non-American,” foreign in some way. Bix Gabriel writes for Guernica on what…

  • The Rumpus Interview with Ottessa Moshfegh

    The Rumpus Interview with Ottessa Moshfegh

    Ottessa Moshfegh discusses her first full-length novel, Eileen, betrayal, self-aware narrators, and the catalytic properties of friendship.

  • The Dilemma of Wartime Journalism

    At Guernica, Richard Falk discusses journalism during the Vietnam War and the Israeli-Palestinian conflict, and how remaining ‘objective’ is actually being biased by turning a blind-eye to suffering: I came to realize that the journalistic ethos as applied to foreign…

  • Walking Through Violence

    Walking straight into violence was nothing new to me. I’d learned how to walk deliberately and unflinchingly into violence from my father, like so many other children do in this country. In fact, in this country we raise all of…

  • Too Much For Leopold Bloom to Keep Track Of

    Over at Guernica, Paul Stephens looks at the current state of “information overload,” and how it’s been explored in art from the avant-garde poetry of Lyn Hejinian to the conceptual writing of Kenneth Goldsmith, with additional commentary from Ezra Pound and…

  • This Week in Short Fiction

    Revise your summer reading lists, ladies and gentlemen, because this week brought us new issues of Guernica and Asymptote to bump to the top of the pile. Asymptote delivers more of its consistently stunning literature in translation, including a haunting…

  • Stop Measuring the Humanities with Dollar Signs

    Even though liberal arts degrees are actually good for business, Matt Burriesci (author of Dead White Guys: A Father, His Daughter, and the Great Books of the Western World) believes that supporters of the humanities should lay that argument to…

  • This Week in Short Fiction

    On Tuesday, Knopf released In the Country, the much-anticipated first book by Mia Alvar. The story collection follows characters uprooted by the Filipino diaspora trying to find homes elsewhere or trying to come home again. Born in the Philippines and…

  • A Life in Non-Fiction

    I’ve always been a late bloomer in some ways, and extremely precocious in other ways. When I was twenty I was living in New York and working a job and could barely bother to be a college student and had…

  • This Week in Short Fiction

    This is the week of fantastical fiction, of the weird and the magical, of re-imagining fairy tales and urban legends, of making the familiar strange and the strange familiar. On Tuesday, a new edition of Angela Carter’s seminal 1979 story…

  • Writing War From Afar

    It was a really big deal for me that a Sri Lankan publisher picked it up. I didn’t grow up there, and I didn’t go through [the war], so there’s always been a question of legitimacy. When I was at…

  • Girls

    Over in Guernica‘s new special issue on gender, Alexander Chee treats us to a new essay.