The Promise of Werfel’s Musa Dagh: Portraying Genocide in Fiction
How does a fictional account come to stand in for history?
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...moreMarianne Chan discusses her debut poetry collection, ALL HEATHENS.
...moreA loss is a loss. Neither the circle nor the form can be completed.
...moreOksana Zabuzhko discusses her story collection, YOUR AD COULD GO HERE.
...morePaul Lisicky discusses his new memoir, LATER: MY LIFE AT THE EDGE OF THE WORLD.
...moreRoy G. Guzmán discusses their debut collection, CATRACHOS.
...moreKristen Millares Young discusses her debut novel, SUBDUCTION.
...moreMaisy Card discusses her debut novel, THESE GHOSTS ARE FAMILY.
...moreThis is my mother’s soup. This is what I aim for.
...moreE. J. Koh discusses her debut memoir, THE MAGICAL LANGUAGE OF OTHERS.
...moreBarbara Berman’s 2019 Poetry Shout-Out!
...moreChanelle Benz discusses her debut novel, THE GONE DEAD.
...moreA Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
...moreValeria Luiselli discusses her new novel, LOST CHILDREN ARCHIVE.
...moreRahna Reiko Rizzuto discusses her newest book, SHADOW CHILD.
...moreBut still: A pattern. The trauma had been diluted by time. But, it was still present, still discernible, in my blood.
...moreJon Raymond is one of Portland’s finest wordsmiths. His writing spans TV, film, short story, novel, art criticism, and a hefty array of magazine work. His new novel, Freebird, is the story of a Californian Jewish family entangled in clashing politics, unspoken histories, and personal dissolve. The Singers are Holocaust survivor Sam, his contemptuous children, […]
...moreMelissa Febos discusses her new book Abandon Me, choosing to be celibate for six months, letting go of our own mythologies, and the sexist reaction women receive when they write nonfiction.
...morePerched on the shoulders of generational trauma sit these two theses: suffering begets cruelty begets suffering begets cruelty, and pain is empathy’s catalyst.
...morePoet Jennifer Barber discusses loss, identity, historical trauma, and her newest collection, Works on Paper.
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