Life as a Series of Small Gestures: Talking with Jennifer Fliss
Jennifer Fliss discusses her debut story collection, THE PREDATORY ANIMAL BALL.
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Join NOW!Jennifer Fliss discusses her debut story collection, THE PREDATORY ANIMAL BALL.
...moreIn particular, Graff’s river is numinous. It’s the center of everything.
...moreFor anyone looking for some truth and tenderness amidst a still-trying time, look no further.
...moreChloe N. Clark discusses her debut story collection, COLLECTIVE GRAVITIES.
...moreAnd then, from this scorched landscape, transformation.
...more“Healing is a process you must actively engage in.”
...moreJoel Mowdy discusses his debut story collection, FLOYD HARBOR.
...moreThis is how to be sick, or hurt: give up on fast time.
...moreMaybe you have come to save us. From what? From ourselves.
...moreAnd in order to hope, I have to once more believe—in the midst of unrelenting dark—that light exists even if I cannot see it.
...more“I am wondering if politics affect your sex life.”
...moreShara Lessley discusses her new collection, The Explosive Expert’s Wife, the task of humanizing those we might dismiss as monsters, and writing toward hope.
...moreSarah Blake discusses her new collection, Let’s Not Live on Earth, questions in poems, monsters, and the challenge of writing a dystopia.
...moreLidija Dimkovska discusses A Spare Life, living through the break-up of Yugoslavia, her writing style, and where she now feels most at home.
...moreI wore sobriety like a shirt that was too tight in the shoulders, and everyone around me knew it.
...more“It’s not really that calculated anymore. I’m bearing my soul in these songs, and just giving it how it is.”
...moreThe last time I punked the muse, I wrote of the summer solstice, a meditation into the heart of the sun. My goal was to leave behind the ever-more-depressing news cycle, and touch some place deep down where hope resides. We live in the Sun, I concluded. I envisioned a home where we could all […]
...moreShame is a treble hook that tells me that 1) I not only fail but am a failure, that 2) I not only damage people but I am damaged, and that 3) I not only lie but I am a lie.
...moreSequoia Nagamatsu discusses his debut collection Where We Go When All We Were Is Gone, grief as a character, and the intersection of ancient myth and the modern world.
...moreBite that apple, open that jar at your own risk and see how your garden grows, how hopeful you remain. Paradise is, after all, blissful self-ignorance.
...moreThat’s the real tangle of women’s labor; it’s too deeply ingrained to the way our lives work for us to properly strike from it.
...moreThe individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
...moreA collection of short pieces written by Rumpus readers pertaining to the subject of “The Emperor’s New Clothes.”
...moreInstead of mourning in solitude, let us sob together. Let us soak communally in our fear. Let us hyperventilate, our breasts heaving in unison.
...moreI think that the moment we’re living in offers the best opportunity we’ve had in a long time in that a lot of things having to do with identity politics are being talked about in poems.
...moreSunday: I work through the voting guide, propositions, and candidates, making my decisions. My partner, Argyle C, Klopnick (ACK!), is sure, now, that Hillary’s victory is certain. I ‘m not yet a believer. I think Trump is electable. Monday: I’m catching the excitement. My female cousins and my sisters post pictures of themselves in white […]
...moreI’m a performer, and in hard times, this job gets harder. I make music when the nation mourns, and my music can sound like hope.
...moreBen Ehrenreich, author of The Way to the Spring: Life and Death in Palestine, discusses oppression, objectivity in journalism, and millennial politics.
...moreI wanted more time with him, but I didn’t want to hope. Too much hope will mess you up.
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