The Rumpus Mini-Interview Project: Gina Nutt
“I like marinating in uncertainty for as long as possible.”
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Join NOW!“I like marinating in uncertainty for as long as possible.”
...moreJenny Hval discusses her new novel, GIRLS AGAINST GOD.
...moreThe root of these imagined, monstrous versions of women, Doyle argues, is fear.
...moreTrisha Low discusses her new book-length essay, SOCIALIST REALISM.
...moreFeet dangle in the foreground, suspended in space by distance and gravity.
...more“Being thrust into forced ritualistic closeness does break the ice, but doesn’t guarantee closeness.”
...moreKea Wilson discusses her debut novel We Eat Our Own, the influence of film on her work, and what she’s learned from working as a bookseller.
...moreThe individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
...moreAllyson McCabe speaks with GRAMMY-winning producer/engineer John Congleton about what it’s like to make music in today’s technological and economic environments, and the benefits of being open to adaptation.
...moreThe most interesting part of The Witch is that the family is so convinced of humanity’s fallen, sinful nature that it never occurs to them to even look for an aggressor from without.
...moreDo you know about New Horror, the genre that rendered horror movies into “high art”? Horror movies, the classics and how their subsequent cinematic transformation, are the subject of Shock Value, Jason Zinoman’s new book. There’s an excerpt and review on NPR Books that will launch you into a fit of nostalgia for the horror […]
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