The Violence of Forgetting: The Divers’ Game by Jesse Ball
His is not a language that trivializes violence; it’s a language that exposes it.
...moreBecome a Rumpus Member
Join NOW!His is not a language that trivializes violence; it’s a language that exposes it.
...moreIt can be hard to describe a Jesse Ball novel. They’re willfully strange, dark and puzzling, but the pieces aren’t always designed to fit together. Instead, each of his books, which are always written in the first person, have a tendency to take the reader into the heads of the lead characters, which is often […]
...moreThere are two things in writing: one is to say something with the form of what you’re saying, and the other is to say something with the content of what you are saying. … I think content is not completely arbitrary, but to a certain degree, it doesn’t always matter. If you really adore the […]
...moreKaj Tanaka reviews How to Set a Fire and Why by Jesse Ball today in Rumpus Books.
...moreAn unorthodox conversation, or experimental, two-way interview between Jesse Ball and Catherine Lacey at BOMB yields miscommunication, communication, repetition, randomness, push, pull, aphorism, and wisdom. On reading contemporary literature, Ball says: There’s something pernicious about work that is from your specific time because of all the prejudices that are invisible at this moment… I think we’re […]
...moreOne of this year’s highly anticipated new novels is Jesse Ball’s How to Set a Fire and Why, forthcoming from Pantheon in July, about an intelligent and troubled teenage girl who takes an interest in arson. A standalone excerpt in Granta this week, titled “Lucia Series,” gives us a small taste that involves no fire, […]
...more