The Rumpus Mini-Interview Project #184: Caroline Hagood
“I wanted to write a manifesto on the artistic act of a woman looking and making.”
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...morePoet Samantha Giles discusses her newest collection, TOTAL RECALL.
...moreBarrie Jean Borrich discusses her work, including her most recent collection APOCALYPSE, DARLING.
...moreI want a PhD in how to want, effortlessly, to be alive.
...moreNamwali Serpell discusses her debut novel, THE OLD DRIFT.
...moreThere is horror in how a memory can be altered or rendered “false” by exterior forces.
...moreJulie Lythcott-Haims discusses HOW TO RAISE AN ADULT and REAL AMERICAN.
...moreSarah Fawn Montgomery discusses her debut memoir, QUITE MAD.
...moreWhen reading this book, expect your notions of speaker—and even what a book of poetry is—to be challenged.
...moreBoully splays open her own torso and readers divine what they need to from the spill of her organs.
...moreMarcia Douglas discusses her forthcoming novel, THE MARVELLOUS EQUATIONS OF THE DREAD.
...more“We need narrative patterns to understand reality.”
...moreKiki Petrosino discusses her newest collection, Witch Wife, the career she’d have in an alternate universe, and the relationship between reading and writing.
...moreWould you say poetry, for you, is the vessel which houses all other forms? I would say it is for me.
...moreMary-Kim Arnold discusses her debut book, Litany for the Long Moment, exploring adoption through a feminist lens, and dancing on the line between genres.
...moreLeslie Jamison discusses The Recovering: Intoxication and Its Aftermath, understanding that every text is incomplete, and whether motherhood has changed her writing.
...moreKayleb Rae Candrilli discusses their debut collection, What Runs Over, reclaiming memory through poetry, and the political act of being happy.
...moreLaurie Stone discusses her story collection, My Life as an Animal, writing about death, how the reader doesn’t care about you, and the Third Iago.
...moreSigrid Nunez discusses her seventh novel, The Friend, her fondness for writing about animals, and the ways the literary world has changed.
...moreLily Hoang discusses her first essay collection, A Bestiary, the importance of genre, and the lessons of teaching.
...moreThere is no way to classify a response to pregnancy. It is what it is, which is why people find consolation in naming their phantoms. In this case, the phantom is named Catalpa.
...moreIt’s hard to say when I first became aware of Bud Smith’s writing. I’m sure it was online; his work is fairly ubiquitous here—an essay here, a poem there, a short story someplace else. He’s got a few books under his belt to boot, the stellar F-250 and Calm Face, as well as the most […]
...moreThe woman whose face appears on the Czech five-hundred koruna doesn’t appear there without consequence. During the late 19th century, politically active Božena Němcová was an innovator of Czech literature. Twenty-first century writer Kelcey Parker Ervick continues Němcová’s legacy in her own fairy tale-like work: a biographical collage, The Bitter Life of Božena Němcová. Comprised […]
...moreLaurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the […]
...moreReading Maggie Nelson can be like banging your head against the wall of categories—or being miraculously freed from them. At Fiction Advocate, Colter Ruland elicits an explanation of hybridity from Nelson: I just do what’s natural, I’m not thinking, “this is high,” “this is low,” “let’s combine them.” Often I don’t know that something wasn’t […]
...moreHow do you work with a material that you don’t have trust in? I had to step away from it and find another way of articulating and I had to do it without words.
...moreAmy Fusselman discusses her latest memoir/manifesto/philosophical treatise Savage Park, the rise of a new kind of nonfiction, and what kind of art “discombobulates her and makes her scream.”
...moreFor The Millions, Catherine K. Buni revisits the work of Joseph Mitchell to explore “hybrid genres” that meld elements of journalism with other forms. In addition, the essay considers the benefits of “fabricating” the truth in creative nonfiction in order to better communicate the “essence of the matter.”
...moreIn a lovely long interview at LitHub, Maggie Nelson discusses her new book The Argonauts and the recent emergence of hybrid forms in popular literature. As a matter of fact, Nelson makes a point not to think much about form, except in direct service of content. The exchange with poet Adam Fitzgerald goes on to cover […]
...moreIn the December issue of Poetry Magazine, reprinted on the Harriet Blog, Molly Peacock shares an extended meditation on the prose poem. Before troubling the easy dichotomies often ascribed to the parent genre, Peacock lays them out: “Poetry seeks to name; prose seeks to explain. Poems favor nouns; prose rides on verbs.” The piece goes […]
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