J. M. Coetzee
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J. M. Coetzee’s “Bread and Beans” Writing
I am fixated by this detail of the bread and beans because it strikes me that Coetzee’s prose might itself be described as “bread and beans” writing: short, declarative sentences, with a fairly simple vocabulary.
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The Sunday Rumpus Interview: Christine Sneed
Floyd Skloot interviews Christine Sneed about her latest story collection, The Virginity of Famous Men.
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One and The Same
Nosy readers often delight in sleuthing out the parallels between an author’s work and their life, as if an identifiable autobiographical source might change the meaning behind the words. So what happens when authors eliminate the boundary altogether? By calling…
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Reworking History
Over at The Monthly, J.M. Coetzee and Arabella Kurtz elaborate on stringing a good yarn: What ties one to the real world is, finally, death. One can make up stories about oneself to one’s heart’s content, but one is not…
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Growing Up Coetzee
Richard Linklater’s Boyhood has received a lifetime’s worth of press, but over at the Los Angeles Review of Books, Wai Chee Dimock grasps its literary paralells; alternating between analysis and essay, Dimock considers the film alongside J.M. Coetzee’s novel of the same…
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No Time Like the Present by Nadine Gordimer
Nina Schuyler reviews No Time Like the Present by Nadine Gordimer.
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In a Strange Room
“In every story of obsession there is only one character. I am writing about myself alone… for this reason I have always failed in every love, which is to say at the very heart of my life.”
