Jackson Pollock
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The (Pleasurable) Anxiety of (Aesthetic) Influence: Bill Berkson’s A Frank O’Hara Notebook
Long after O’Hara died, O’Hara was still influencing, shaping, editing, Berkson.
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Anything Can Happen: Jennifer Higdon on Contemporary Music
Composer Jennifer Higdon discusses the end of expected boundaries in contemporary music, connecting with an audience, and the difference between academic and commercial works.
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Sound & Vision: Mark Alan Stamaty
Allyson McCabe talks with Mark Alan Stamaty, a Society of Illustrators four-time medalist, and the author-illustrator of ten books.
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The Rumpus Interview with Max Ritvo
Max Ritvo passed away on August 23, 2016. Earlier this summer, he spoke with Sarah Blake about his debut collection Four Reincarnations, writing with and about cancer, and how language is a game.
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The Fine Art of Fucking Up by Cate Dicharry
Cate Dicharry’s excellent debut novel, The Fine Art of Fucking Up, weaves humor and humanity to explore one woman’s personal and professional dissatisfaction and to suggest how we all might be able to cleave past our setbacks to find our own…
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The New York Comics and Picture-Story Symposium: Jonah Kinigstein on The Emperor’s New Clothes
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Tuesday nights 7-9 p.m. EST in New York City.
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Patrons and Propaganda
Michelangelo had the Medicis; Jackson Pollock had the CIA. It’s true—in order to ensure the US kept up with the Soviet Union culturally and artistically, the CIA funded abstract expressionist art, unbeknownst even to the artists themselves. Read more about…
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Pollock on Film
Ever wonder what creating abstract expressionist art looks like? This documentary, made one summer way back in 1950 by Hans Namuth, follows Jackson Pollock in his studio. “Above, you can watch the result of Namuth’s second effort. The ten-minute film,…
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Zak Smith in Conversation with Gordon Terry
“…Beauty is often considered suspect based on the lingering premise that it is radically conservative and reactionary, and that the strategies of visual appeal used by the mass media can be seen as one of the ways that authentic experience…
