In his searing, soulful second collection, Gerard uses the language that is poetry to invite the reader in to the experience of his darkest and brightest moments.
Campbell McGrath talks about his new collection, XX: Poems For The Twentieth Century, capitalism, history, and what it might mean to write a wordless poem.
Over at the Paris Review, Dan Piepenbring talks about James Wright’s famous epiphanic poem Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota, in conjunction with Ann…
Every time you write a poem, you're learning to become a poet once again. Your writing imitates not the banal sequence from life to death, but instead imitates a descent into and out of a new womb of clarity.