Author Christopher Bollen talks about his sophomore novel, Orient, secrets and privacy, sexual orientation in fiction, and the lost art of the whodunit mystery.
None of us has telepathy, and even the most empathetic of us can’t really experience the world as another person experiences it. So we read essays and memoirs.
How exactly did Joan Didion go from writing for conservative weekly the National Review to serving as a leading voice for the left? The New Yorker offers an answer: What changed was her…
People contain multitudes, and by multitudes, I mean libraries. For the Atlantic, Julie Beck presents us with a thrilling article on narrative psychology, providing some scientific basis for that brilliant…
To go with her contribution, Didion had to provide a few sentences about herself. Excavated from the Mademoiselle archives, what she wrote shows a still somewhat green, aspiring writer with…
Andrew Bomback steps into the conversation between Eula Biss and Joan Didion about “Goodbye to All That” and the myth of New York City, bringing along Taylor Swift as his…
“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster…
Editor and author George Hodgman talks about his new memoir, Bettyville, what makes for a good memoir, and returning to his hometown of Paris, Missouri from New York to take care of his aging mother.
The novella-in-flash: What does it mean? How is it even possible? Kathleen Rooney and Abby Beckel, editors at Rose Metal Press, which specializes in hybrid forms, have recently set about…
Politics are not widely considered a legitimate source of amusement in Hollywood, where the borrowed rhetoric by which political ideas are reduced to choices between the good (equality is good)…