Subtext Rising to the Surface: A Conversation with Matthew Olzmann
Poet Matthew Olzmann discusses his work with Julie Marie Wade.
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Posts Tagged: John Berryman
Swinging Modern Sounds #98: Against Jazz
Nate Wooley, the reason for this piece, is a essential force in the contemporary music.
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The Rumpus Poetry Book Club Chat with Katie Ford
Katie Ford discusses her new collection, IF YOU HAVE TO GO.
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The Rumpus Poetry Book Club Chat with Terrance Hayes
“They are poems before sonnets.”
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The Delusion of Objectivity: Talking with Leslie Jamison
Leslie Jamison discusses The Recovering: Intoxication and Its Aftermath, understanding that every text is incomplete, and whether motherhood has changed her writing.
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The Rumpus Interview with Max Ritvo
Max Ritvo passed away on August 23, 2016. Earlier this summer, he spoke with Sarah Blake about his debut collection Four Reincarnations, writing with and about cancer, and how language is a game.
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David Biespiel’s Poetry Wire: Cornerstones of American Poetry
The only way I can put it is, no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.
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The Last Poems I Loved: John Berryman’s Dream Songs #265 and #279
I have a tendency to read difficult books when my life is difficult.
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The Heart Is Strange: New Selected Poems by John Berryman
Patrick James Dunagan reviews The Heart is Strange: New Selected Poems by John Berryman and John Berryman’s Public Vision: Relocating the Scene of Disorder by Philip Coleman today in Rumpus Poetry.
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The Rumpus Late Nite Poetry Show: Oliver de la Paz
In Episode 6 of The Rumpus Late Nite Poetry Show, Dave Roderick chats with poet Oliver de la Paz about his new collection, Post Subject: A Fable, video games, and his weirdest writing habit.
...moreThe Last Poem I Loved: “Dream Song 29” by John Berryman
The Dream Songs are, at their best, incantations, syllables given to the unspeakable. And yet, here’s the really unsettling thing: They’re fun. “Dream Song 29,” and the others in 77 Dream Songs, read quickly and lightly. Their rhythms catch in your mind and stay like pop music. The impossible project of unravelling the coded references […]
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