The Last Poem I Loved: “The Hell Poem” by Shane McCrae
I’m fascinated that the speaker’s harm disappearing is a function of being in Hell.
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Join NOW!I’m fascinated that the speaker’s harm disappearing is a function of being in Hell.
...moreMeredith Clark discusses her debut lyric memoir, LYREBIRD.
...moreFigures from antiquity—those masks of learned, privileged poets—are rendered utterly contemporary, down to earth.
...moreDiego Báez reviews Laurie Ann Guerrero’s A Crown for Gumecindo today in Rumpus Poetry.
...moreStuart Dybek discusses the forthcoming The Best Small Fictions 2016, the invisibility of anecdote, and why the art of transition is the art of the short story.
...moreJohn Keats died on February 23rd, 1821. The Paris Review muses on the death obsessed poet’s life, and what he cryptically requested be written on his tombstone: Here lies one whose name was writ in water.
...moreIt’s a matter of self-composition: Keep concentrating, type faster—take a breath and hold it—and do it again.
...moreAll that floated there was the mystery. In the presence of all that, I discovered too that there are mysteries residing in the consciousness of my own mind that I don’t want to get out of the way of.
...moreIn Episode 13 of The Rumpus Late Nite Poetry Show, Rick Barot discusses his newest collection, Chord, tone in poetry, and the selfies Bishop might’ve posted.
...moreAh, happy food court! Peaceful kingdom! Is it possible that all these tables now are empty Where once families did jostle for a feasting place? Over at The Toast, a lovely and timely poem, “Ode to an Abandoned Shopping Mall,” by Summer Block eulogizes the lost sparkles of a dying mall in a unashamed homage […]
...moreLet’s talk about sentences. Let’s talk about how poets, when they let their lines run long to prose, can make sentences sing. And if we’re going to talk about those sentences, we must also talk about details. Details, details, and more details. It all started on waking Thursday morning and reading David Ebenbach’s “Nobody Else […]
...moreDon’t let that stack of rejection letters get you down. For writers of all kinds—would-be, struggling, under-appreciated, even critically acclaimed—failure is part of the job description. At the New York Times, Stephen Marche describes a writing profession riddled with disappointment and missed connections, from the ever-frustrating publishing world to a reader’s power of interpretation.
...morePatrick James Dunagan reviews Dan Beachy-Quick’s A Brighter Word than Bright: Keats at Work today in Rumpus Poetry.
...moreAt HTMLGIANT, brilliant craft advice from a cartoon! “If you’re not popular, and you write a good poem, nobody gives a shit.” The Guardian goes off on Martin Amis, complaining of “the continued endurance of a surprising tolerance for misogyny from vaunted men of letters who came of age as writers in an era when the […]
...moreWelcome to Saturday night. Hope you like what I’ve dug up for you this week. Okay, this first one isn’t technically poetry, but if you’re interested in Bright Star, Jane Campion’s film about John Keats,
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