At one point, I write in my margin: There is no X marks the spot for treasure here. The map is the treasure. Which is another way of saying: this book is the bounty; these poems are the gold.
[I]n Johnson’s whole protean oeuvre, more than any pair of books, Jesus’ Son and The Largesse of the Sea Maiden are like binary stars, locked in orbit, distinct but inseparable, each throwing its light upon the other.
Sabina Murray discusses the novel Valiant Gentleman, writing characters that are fundamentally different from herself, and confronting issues of colonization.
For the NYRB, Tim Parks meditates on writing in English through investigating various authors who made switches from native tongues to the more economically viable lingua franca, like Nabokov and Conrad—or who…
Campbell McGrath talks about his new collection, XX: Poems For The Twentieth Century, capitalism, history, and what it might mean to write a wordless poem.
At Electric Literature, Matthew Salesses discusses the works of Joseph Conrad and Flannery O’Connor to explore the problem of unconscious prejudice and unintentional racism in writing, and how writers can…
Clothed in the wonderful garment of your prose, they have stood, consoling, by my side under many skies,” Conrad wrote. “I trust that you will consent, by accepting this copy,…